Taking Back Sunday's ' "Twenty-Twenty Surgery" was released on its scheduled release date, April 25, 2006. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Taking Back Sunday's "Louder Now (Deluxe Edition)" album is number 6 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, Twenty-Twenty Surgery's popularity is average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Twenty-Twenty Surgery by Taking Back Sunday to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| More Than Local Boys | The Matches | C Major | 9 | 8B | 140 BPM | ||
| I Got Punched in the Nose for Sticking My Face in Other People's Business | Boys Night Out | D Major | 10 | 10B | 191 BPM | ||
| Ocean Avenue | Yellowcard | A Major | 9 | 11B | 126 BPM | ||
| Misery Loves Its Company | The Red Jumpsuit Apparatus | E Minor | 8 | 9A | 122 BPM | ||
| American Dream | Northstar | B Minor | 9 | 10A | 164 BPM | ||
| I Put the 'Metro' in Metronome | Cute Is What We Aim For | B Major | 9 | 1B | 150 BPM | ||
| Language Lessons (Five Words Or Less) | Hawthorne Heights | F Major | 9 | 7B | 173 BPM | ||
| Cheek To Cheek | The Starting Line | F Major | 6 | 7B | 160 BPM | ||
| Your Star | The All-American Rejects | D Major | 9 | 10B | 148 BPM | ||
| The Push And Pull | Boys Night Out | A Major | 10 | 11B | 177 BPM | ||
| If You Don't, Don't | Jimmy Eat World | D♭ Major | 9 | 3B | 140 BPM | ||
| A Box Full of Sharp Objects | The Used | D♭ Minor | 10 | 12A | 120 BPM | ||
| I Have Been Right All Along | Armor For Sleep | B Minor | 9 | 10A | 170 BPM | ||
| Yeah, No... I Know... | Boys Night Out | D♭ Major | 9 | 3B | 106 BPM | ||
| One Day Robots Will Cry | Cobra Starship | E Minor | 9 | 9A | 145 BPM | ||
| Baby, You Wouldn't Last A Minute On The Creek | Chiodos | D Minor | 9 | 7A | 98 BPM | ||
| Car Underwater | Armor For Sleep | D Major | 8 | 10B | 147 BPM | ||
| Perfection Through Silence | Finch | D♭ Major | 9 | 3B | 117 BPM | ||
| Reckless Abandonment | The Spill Canvas | E♭ Minor | 10 | 2A | 181 BPM | ||
| Rodeo Clown | Silverstein | E Major | 10 | 12B | 180 BPM | ||
| Sleep | Taking Back Sunday | A♭ Major | 9 | 4B | 128 BPM | ||
| I Was the Devil for One Afternoon | Boys Night Out | E Major | 10 | 12B | 191 BPM | ||
| I'd Hate To Be You When People Find Out What This Song Is About | Mayday Parade | G Major | 9 | 9B | 153 BPM | ||
| Cross Out The Eyes | Thursday | G Major | 8 | 9B | 80 BPM | ||
| Smashed Into Pieces | Silverstein | F♯ Minor | 7 | 11A | 92 BPM |