"Quintessence" by Benjamin Clementine had its release date on September 15, 2017. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Benjamin Clementine's "I Tell A Fly" album is number 10 out of 11. On top of that, France appears to be the country where this track was created. Quintessence is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quintessence by Benjamin Clementine to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Then I Heard A Bachelor's Cry | Benjamin Clementine | E♭ Minor | 4 | 2A | 191 BPM | ||
| You've Got To Learn | Charles Aznavour, Benjamin Clementine | B♭ Major | 2 | 6B | 70 BPM | ||
| Flowers Grave | Tom Waits | D♭ Major | 3 | 3B | 118 BPM | ||
| Take It With Me | Tom Waits | D♭ Major | 1 | 3B | 120 BPM | ||
| All My Life | The Staves, yMusic | E Minor | 3 | 9A | 76 BPM | ||
| You Are My Enemy | ANOHNI | E♭ Major | 3 | 5B | 109 BPM | ||
| Kindling (Fickle Flame) | Elbow, John Grant | D Major | 4 | 10B | 83 BPM | ||
| One | Raoul Vignal | F Minor | 3 | 4A | 140 BPM | ||
| Lullaby | Tom Waits | E♭ Major | 2 | 5B | 111 BPM | ||
| Pi | Kate Bush, Anne Sofie von Otter, Brooklyn Rider | C Major | 2 | 8B | 103 BPM | ||
| DLM | James Blake | D Major | 2 | 10B | 133 BPM | ||
| Nightfall | The Colorist Orchestra, Emilíana Torrini | C Major | 3 | 8B | 173 BPM | ||
| Clara | Chilly Gonzales, Jarvis Cocker | D Major | 2 | 10B | 110 BPM | ||
| Be Right Back, Moving House | Ghostpoet, Paul Smith | D Major | 5 | 10B | 84 BPM | ||
| How We Used to Love | Siv Jakobsen | A♭ Minor | 1 | 1A | 99 BPM | ||
| Constellations | James Vincent McMorrow | A♭ Minor | 3 | 1A | 142 BPM | ||
| Samson in New Orleans | Leonard Cohen | D♭ Major | 2 | 3B | 111 BPM | ||
| You're My Thrill | Cécile McLorin Salvant | A♭ Major | 1 | 4B | 98 BPM | ||
| On the Level | Leonard Cohen | E♭ Major | 3 | 5B | 74 BPM | ||
| Ethereal | Hjaltalín | F Minor | 1 | 4A | 96 BPM | ||
| Defenestrazioni | Teho Teardo, Blixa Bargeld | G Major | 2 | 9B | 104 BPM | ||
| Last Breath | Guillaume Poncelet, Thomas Azier | E Minor | 2 | 9A | 79 BPM | ||
| String Reprise / Treaty | Leonard Cohen | C Major | 1 | 8B | 74 BPM | ||
| Watch Me | ANOHNI | G Major | 8 | 9B | 130 BPM | ||
| So Naïve | Villagers | D Major | 1 | 10B | 99 BPM |