Romualdo Marenco, Orchestra Filarmonica Polacca di Olsztyn, Silvano Frontalini's ' "Ballo Excelsior: Il Risorgimento (Galop)" was released on its scheduled release date, December 4, 2020. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Ballo Excelsior: Il Risorgimento (Galop)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Romualdo Marenco, Silvano Frontalini, Orchestra Filarmonica Polacca di Olsztyn's "La Belle Époque Italienne: Ballo Excelsior" album is number 4 out of 14. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Ballo Excelsior: Il Risorgimento (Galop)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ballo Excelsior: Il Risorgimento (Galop) by Romualdo Marenco, Orchestra Filarmonica Polacca di Olsztyn, Silvano Frontalini to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Natasha's Waltz - From War and Peace (1956) | Audrey Hepburn, Nino Rota | C Major | 4 | 8B | 169 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Roses From The South | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 3 | 6B | 99 BPM | ||
| Suite for Variety Orchestra: III. Dance No. 2 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Khachaturian: Suite No. 1 from Spartacus: III. Variation of Aegina - Bacchanalia | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E♭ Minor | 2 | 2A | 129 BPM | ||
| Gaîté Parisienne: Ouverture (d'après La vie parisienne) | Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec | E Major | 2 | 12B | 153 BPM | ||
| Wiener Bürger, Op. 419 | Carl Michael Ziehrer, Wiener Philharmoniker, Lorin Maazel | C Major | 2 | 8B | 99 BPM | ||
| Ballo Excelsior: Quadro III - Postigliona | Romualdo Marenco, Orchestra Filarmonica di Olsztyn, Silvano Frontalini | G Major | 2 | 9B | 74 BPM | ||
| Quel Guardo Il Cavaliere | George Carlaw | A♭ Major | 1 | 4B | 82 BPM | ||
| H.M.S. Pinafore: Entracte | Arthur Sullivan, The New Symphony Orchestra Of London, Isidore Godfrey | G Major | 1 | 9B | 88 BPM | ||
| Giselle - Act 1: No. 5 Pas de Deux - No. 5(bis) La Chasse (II) | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | D Major | 2 | 10B | 115 BPM | ||
| Gold And Silver Waltz (Gold und Silber/L'or et l'argent) | Franz Lehár, Strauss Festival Orchestra, Peter Guth | C Major | 2 | 8B | 175 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Vorspiel (Orchester) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Minor | 3 | 5A | 74 BPM | ||
| Venetianer-Galopp, Op. 74 | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Märzendorfer | B Major | 3 | 1B | 159 BPM | ||
| Waldteufel Waltzes | Émile Waldteufel, Erich Kunzel, Cincinnati Pops Orchestra | A Major | 1 | 11B | 174 BPM | ||
| Un ballo in maschera: Overture | Giuseppe Verdi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | B♭ Minor | 3 | 3A | 87 BPM | ||
| Coppélia, Tableau 2: Entr'acte | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Shadows | Aurora Crescendo | C Major | 4 | 8B | 161 BPM | ||
| Teodora: Quadro V. Sulle rive della Propontide | Romualdo Marenco, Volgograd Philharmonic Orchestra, Silvano Frontalini | F Major | 0 | 7B | 135 BPM | ||
| Lanner: Jäger Lust, Op. 82 | Joseph Lanner, Nikolaus Harnoncourt, Wiener Philharmoniker | F Major | 2 | 7B | 137 BPM | ||
| La source, ou Naila: Suite No. 3: Suite No. 3: Finale | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 66 BPM | ||
| VI. Waltz No. 1 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Preludio dal balletto Excelsior | Romualdo Marenco, Roberto Cognazzo, Ercole Ceretta | B♭ Major | 3 | 6B | 124 BPM | ||
| Il Risorgimento (Arr. by Michal Worek) | Romualdo Marenco, Marc Reift, Philharmonic Wind Orchestra | A♭ Major | 9 | 4B | 148 BPM |