"Where Are You Taking Me?" by Volker Bertelmann had its release date on February 25, 2025. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "The Count of Monte Cristo (Original Series Soundtrack)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. Where Are You Taking Me? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Where Are You Taking Me? by Volker Bertelmann having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Opening / Kepler-22b | Marc Streitenfeld | G Major | 2 | 9B | 75 BPM | ||
| Silentgrid | Velora | F♯ Minor | 4 | 11A | 105 BPM | ||
| Possibilities Are Endless | Atticus Ross, Leopold Ross, Claudia Sarne | F Major | 2 | 7B | 68 BPM | ||
| Goodnight Bastard | Marco Beltrami, Buck Sanders | G Minor | 2 | 6A | 153 BPM | ||
| That's Him | Chris Benstead | C Major | 0 | 8B | 85 BPM | ||
| Welcome to the West - Slow Version | Daniel Ciurlizza | G Major | 7 | 9B | 97 BPM | ||
| CCTV Footage | Volker Bertelmann | G Major | 2 | 9B | 120 BPM | ||
| Slot Canyon | Trevor Gureckis | F♯ Major | 3 | 2B | 74 BPM | ||
| Darunta Dam | Chris Benstead | C Major | 4 | 8B | 92 BPM | ||
| Tjaden | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM | ||
| Deep Water | Rob Simonsen | A♭ Major | 2 | 4B | 67 BPM | ||
| Invasion of Poland | David Schweitzer | G Major | 4 | 9B | 183 BPM | ||
| To the Ballroom | Johannes Lehniger, Lisa Morgenstern, Sebastian Damerius | B♭ Minor | 1 | 3A | 72 BPM | ||
| Spoken Request | Atli Örvarsson | B♭ Minor | 2 | 3A | 73 BPM | ||
| Coriolis Effect | Kyle Preston | A Minor | 5 | 8A | 128 BPM | ||
| Ættartré / End Credits | Robin Carolan, Sebastian Gainsborough | D Minor | 1 | 7A | 66 BPM | ||
| The Four Tempers | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| Annihilation | Ben Salisbury, Geoff Barrow | E♭ Major | 1 | 5B | 92 BPM | ||
| The Life You Were Living | Amie Doherty | B♭ Minor | 1 | 3A | 76 BPM | ||
| Look at This | Marc Streitenfeld | E♭ Minor | 2 | 2A | 64 BPM | ||
| Respectfully Declining | Ramin Djawadi | C Minor | 0 | 5A | 60 BPM | ||
| Seeing Red | Anže Rozman, Camilo Forero | C Major | 1 | 8B | 122 BPM | ||
| Mallory's Legacy | Amine Bouhafa | F Minor | 1 | 4A | 72 BPM | ||
| The Art of Tennis | Jonas Struck, Vladislav Delay | G Minor | 2 | 6A | 82 BPM | ||
| Arrest Her | Volker Bertelmann | G Major | 1 | 9B | 121 BPM |