"Valentine" by Jim Moray had its release date on July 14, 2008. This song appears to be safe for all ages as it is not explicit. The track order of this song in Jim Moray's "Low Culture" album is number 10 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Valentine is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Valentine by Jim Moray to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kingfisher | Spell Songs, Kris Drever, Beth Porter | E Major | 5 | 12B | 128 BPM | ||
| Troubled Horses | Martyn Joseph | B♭ Major | 8 | 6B | 120 BPM | ||
| I'll Never Forgive You | Steve Knightley, Philip Henry, Track Dogs, Matt Clifford, Johnny Kalsi, Phil Beer, The Lost Sound Chorus, Ross Wilson, Mark Tucker | F Minor | 4 | 4A | 116 BPM | ||
| Lay Me Down | Barry Coope, Jim Boyes, Lester Simpson | D Major | 3 | 10B | 109 BPM | ||
| Early One Morning / Young Collins | Jim Moray | C Major | 4 | 8B | 109 BPM | ||
| When the Reivers Call | Sam Kelly, The Lost Boys | D Minor | 6 | 7A | 95 BPM | ||
| The Vandals Of Hammerwich/Ring Of Bells | Jim Moray | A♭ Minor | 4 | 1A | 167 BPM | ||
| Night Visiting Song | John McCusker | G Major | 3 | 9B | 80 BPM | ||
| All Shall Be Still | Salt House | G Major | 2 | 9B | 198 BPM | ||
| The Nightingale | Jim Moray | A♭ Major | 4 | 4B | 166 BPM | ||
| Meet Me at Loganlea | Hannah Rarity | B♭ Major | 1 | 6B | 148 BPM | ||
| I'll Always Leave the Light On | Kris Drever | A Minor | 0 | 8A | 94 BPM | ||
| Waxwing | Olivia Chaney | B♭ Major | 1 | 6B | 117 BPM | ||
| The Moon Shined on My Bed Last Night | The Furrow Collective | A♭ Major | 2 | 4B | 124 BPM | ||
| Seven Long Years | Jim Moray | G Major | 2 | 9B | 130 BPM | ||
| Hounds of Love | Jon Boden, The Remnant Kings | F♯ Major | 1 | 2B | 120 BPM | ||
| Smoke of Home | Megson | G Minor | 6 | 6A | 157 BPM | ||
| The Longshot | Megson | C Major | 3 | 8B | 142 BPM | ||
| The Western Edge | Siobhan Miller | A Major | 5 | 11B | 116 BPM | ||
| Contradicshun | Megson | C Minor | 2 | 5A | 130 BPM | ||
| Take Me Out Drinking | Iona Fyfe | C Major | 3 | 8B | 110 BPM | ||
| The Road Not Taken | Salt House | A♭ Major | 2 | 4B | 124 BPM | ||
| The Weaver's Daughter | Fay Hield, Hurricane Party | A♭ Major | 8 | 4B | 119 BPM | ||
| Battlefield Dance Floor | Show Of Hands | F♯ Major | 8 | 2B | 122 BPM | ||
| Over the Hills and Far Away | Heidi Talbot, John McCusker | B Major | 2 | 1B | 77 BPM |