"The Dark End Of The Street" by The Commitments had its release date on 1991. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. The Dark End Of The Street's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The Commitments". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, The Dark End Of The Street's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Dark End Of The Street by The Commitments having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't You Throw That Mojo On Me | Mark Selby | A Major | 8 | 11B | 110 BPM | ||
| I Cant Stand the Rain | Wilson Diesel | D♭ Major | 8 | 3B | 89 BPM | ||
| Gimme Some Lovin' | The Spencer Davis Group | A Major | 8 | 11B | 144 BPM | ||
| Painless | Baby Animals | E♭ Major | 9 | 5B | 126 BPM | ||
| A Little Time | The Beautiful South | F Major | 2 | 7B | 109 BPM | ||
| (Your Love Keeps Lifting Me) Higher & Higher | Jackie Wilson | D Major | 7 | 10B | 96 BPM | ||
| Just a Gigolo / I Ain't Got Nobody - 45 Version | David Lee Roth | A♭ Major | 7 | 4B | 124 BPM | ||
| Consequences | The Robert Cray Band, The Memphis Horns | G Minor | 8 | 6A | 109 BPM | ||
| Loves Me Like a Rock | The Badloves | A Major | 6 | 11B | 131 BPM | ||
| Walk Right In - Remastered | Dr. Hook | D Major | 9 | 10B | 115 BPM | ||
| In The Midnight Hour | The Commitments | A♭ Major | 7 | 4B | 119 BPM | ||
| Cry to Me | Solomon Burke | E Major | 4 | 12B | 114 BPM | ||
| What A Man | Linda Lyndell | G Major | 7 | 9B | 174 BPM | ||
| The Spider and the Fly (feat. James Cotton) | Kenny Wayne Shepherd, James Cotton | B Minor | 7 | 10A | 97 BPM | ||
| Ain't Love The Strangest Thing | The Black Sorrows | D♭ Minor | 7 | 12A | 152 BPM | ||
| A Hard Rain's A-Gonna Fall | Bryan Ferry | A♭ Major | 9 | 4B | 125 BPM | ||
| Raise Your Hand (Live Tom Jones TV Show 4th December 1969) | Janis Joplin | B Minor | 10 | 10A | 140 BPM | ||
| Bat Out of Hell | Meat Loaf | F Major | 7 | 7B | 173 BPM | ||
| Take Your Mama | Scissor Sisters | A♭ Major | 10 | 4B | 154 BPM | ||
| To Love The Language | Harry Connick, Jr. | G Major | 8 | 9B | 146 BPM | ||
| Drift Away | Dobie Gray | E Major | 4 | 12B | 76 BPM | ||
| The Only Thing That Looks Good On Me Is You | Bryan Adams | G Major | 9 | 9B | 119 BPM | ||
| I Can See Clearly Now | Hothouse Flowers | D Major | 7 | 10B | 137 BPM | ||
| A Place in the Sun | Jools Holland & James Morrison | C Major | 8 | 8B | 118 BPM | ||
| Dance Little Sister | Sananda Maitreya | D Minor | 7 | 7A | 115 BPM |