Rajendra Vaishampayan's 'Alwavarcha_Paani' had a release date set for April 1, 2009. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Alwavarcha_Paani's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rajendra Vaishampayan's "Mann Samvad" album is number 4 out of 56. On top of that, India appears to be the country where this track was created. Alwavarcha_Paani is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Alwavarcha_Paani by Rajendra Vaishampayan to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sri Kubera Asthottara Shatanamavali | Muniswamy Yerigera | A Minor | 2 | 8A | 129 BPM | ||
| Narsingh Stotram | kartik ojha | B♭ Major | 4 | 6B | 183 BPM | ||
| Nrusimha Mruthyumjayam Sththoram | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | B♭ Minor | 3 | 3A | 113 BPM | ||
| Guru Stotram Akhanda Mandalakaram (Sanskrit Shloka in praise of the Guru) | Jaya Vidyasagar | F♯ Minor | 1 | 11A | 132 BPM | ||
| Sankatnashan Ganesh Stotra | Riddhi Agarwal | C Major | 3 | 8B | 103 BPM | ||
| Manojavam Marutatulya | Play Devotional | A Major | 3 | 11B | 98 BPM | ||
| Karita Seva Guru Charananchi | Kamalakar Tapasvi | F Minor | 7 | 4A | 142 BPM | ||
| Chapter 4: Jnaana Yoga | Sri Ganapathy Sachchidananda Swamiji | F Major | 1 | 7B | 175 BPM | ||
| Sri Rudra Dwadashanama | Puttur Narasimha Nayak | A♭ Major | 6 | 4B | 165 BPM | ||
| Jai Jai Ram Krishan Hari | Baba Maharaj Satarkar | E Minor | 6 | 9A | 144 BPM | ||
| Adhyayam, Pt .13 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 112 BPM | ||
| Purusakutham | Malola Kannan, Govindarajan | D♭ Major | 6 | 3B | 133 BPM | ||
| Vaikruthikam Rahasyam | J. Bhaktavatsalam, Ganesan, Na | D Minor | 2 | 7A | 110 BPM | ||
| Siva | Kasinatha Sarma & N.S. Prakash Rao | F Major | 2 | 7B | 123 BPM | ||
| Nivadak Bodh Vachan | Rajendra Vaishampayan | F♯ Major | 2 | 2B | 78 BPM | ||
| Hanuman Mantra | Sujit Shankar | G Major | 1 | 9B | 107 BPM | ||
| Adhay 08 Shlok 25 To Shlok 28 | Rajendra Vaishampayan | D♭ Major | 3 | 3B | 66 BPM | ||
| Kanakdhara Stotram | Shubhangi Singh | D Major | 2 | 10B | 105 BPM | ||
| Murthi Rahsayam | J. Bhaktavatsalam, Ganesan, Na | C Major | 6 | 8B | 167 BPM | ||
| Antapuri Bramha Praktale | Jitendra Abhyankar, Tejas Walhekar | E♭ Major | 6 | 5B | 160 BPM | ||
| Bagla Pratyangira Kavach | Shubhangi Singh | F Major | 8 | 7B | 82 BPM | ||
| Ganapathi Atharva Shirsham | Brahmasri Vedamurthy Purohitha Nagaraja Bhat, Vidwan Shashidhara Bhat, Sri Shivarama Jois | D♭ Major | 8 | 3B | 110 BPM | ||
| Mantra Jabam | T. S. Aswini Sastry, T. S. Rohini Sastry | B Major | 5 | 1B | 83 BPM | ||
| Jaya Jaya Devi Charachara Sare | Ramakrishna Math, Swami Sarvagananda | G Major | 2 | 9B | 79 BPM | ||
| Govindaya Namo Namah | Tanmay Ranjan, Vivek Bakshi | A Major | 2 | 11B | 169 BPM |