On July 7, 2013, the song "Sankatmochan Hanuman Ashtak" was released by Rattan Mohan Sharma. This song appears to be safe for all ages as it is not explicit. The track order of this song in Rattan Mohan Sharma's "Mere Bhagwan Shri Hanumanji (Hanuman Bhajan)" album is number 4 out of 5. On top of that, India appears to be the country where this track was created. Based on our statistics, Sankatmochan Hanuman Ashtak's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sankatmochan Hanuman Ashtak by Rattan Mohan Sharma to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parshvanath Stotra | Arohi Anil Agarkar, Ragreshree Anil Agarkar | C Major | 3 | 8B | 125 BPM | ||
| Shriram Chandra Kripalu Bhajman | Rajan & Sajan Mishra | F Minor | 5 | 4A | 119 BPM | ||
| Datt Bavni | Sachin Limaye, Forum Mehta | F♯ Minor | 4 | 11A | 105 BPM | ||
| Vedasarashivastotram | G. Gayathri Devi, Saindhavi, PRIYA, R. Shruti | A♭ Major | 6 | 4B | 126 BPM | ||
| Maa Saraswati Chalisa | Shraddha Jain | D Major | 5 | 10B | 90 BPM | ||
| Buddha Vandana | Harshala Kadam, Dipali Shirke | G Major | 4 | 9B | 125 BPM | ||
| Durga Saptashati-Ninth Chapter | Pt. Hari Nath Jha | E♭ Major | 3 | 5B | 116 BPM | ||
| Deen Bandu Kripa Sindhu | Bhagwat Acharya Shri Venu Gopal Swamiji | D♭ Major | 1 | 3B | 135 BPM | ||
| Narasimha Aarti | Swarup Damodar Prabhu | D♭ Major | 6 | 3B | 107 BPM | ||
| gurustotram | Bhanumathi Narasimhan | D Major | 0 | 10B | 124 BPM | ||
| Bhagavad Gita Adhyay, Pt. 12 | Shrirang Bhave | G Minor | 2 | 6A | 141 BPM | ||
| Durge Nandani | Vikram Hazra | A Major | 4 | 11B | 144 BPM | ||
| Shani Dev Aarti | Vishwajeet Borwankar, Priyanka Sarvadnya | G Major | 2 | 9B | 71 BPM | ||
| Damodar Stuti | Sachin Limaye | E♭ Major | 4 | 5B | 119 BPM | ||
| Hari Bol! | Mayuri Gandharvika | A♭ Minor | 5 | 1A | 80 BPM | ||
| Om Bhram Bhreem Bhroum Sah Rahave Namah: Rahu Beej Mantra 108 Times in 5 Minutes | Dinesh Arjuna | E Major | 7 | 12B | 82 BPM | ||
| Hinglaj Chalisa | Vijay Jogia | A♭ Minor | 6 | 1A | 82 BPM | ||
| Durga Chalisa | Jitender Singh | B Major | 6 | 1B | 113 BPM | ||
| ABHYUDAYA NAGARCHYA RAJACHI SWARI (Swapnil Tambe) | SOHIL MANCHEKAR, Saichha bhajan mandal | F♯ Major | 2 | 2B | 129 BPM | ||
| Shree Shivnirajanam | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 9 | 5B | 99 BPM | ||
| Om Namo Suryanarayanaya | Namratha - K.Sarada | B Major | 5 | 1B | 112 BPM | ||
| Vande Mataram | Rekha Bhardwaj, Rattan Mohan Sharma | B♭ Major | 2 | 6B | 102 BPM | ||
| Guru Om | Bhanumathi Narasimhan | E♭ Major | 4 | 5B | 130 BPM | ||
| Auspicious Beginnings - The Shri Ganesh Atharvashirsha | Vidura Barrios | F♯ Major | 2 | 2B | 87 BPM | ||
| Janak Nandini (Shree Janki Stuti) | TANVI SENJALIYA | C Major | 2 | 8B | 169 BPM |