Rohana Weerasinghe, Uresha Ravihari's ' "Pihaatuwakdo Maa" was released on its scheduled release date, August 21, 2020. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Top Sinhala Songs, Vol. 40". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Austria. In terms of popularity, Pihaatuwakdo Maa is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pihaatuwakdo Maa by Rohana Weerasinghe, Uresha Ravihari having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mage Punchi Rosa Male | Amarasiri Peiris | A Minor | 2 | 8A | 96 BPM | ||
| API HANGUM WALATA - Acoustic Version | Api Machan | E Minor | 4 | 9A | 87 BPM | ||
| Oya susum pawan | Chamara Weerasinghe | F Minor | 5 | 4A | 80 BPM | ||
| Sikuruliya (Wayo) | WAYO | G Minor | 3 | 6A | 136 BPM | ||
| Awasara Natha Mata | Milton Mallawarachchi | A Major | 5 | 11B | 124 BPM | ||
| Iren Handen | Harshana Dissanayake, Rohana Weerasinghe, Somaratne Dissanayake | D Minor | 5 | 7A | 80 BPM | ||
| Sitha Oba Pamula | Rohana Weerasinghe, Deepika Priyadarshani | D Minor | 4 | 7A | 93 BPM | ||
| Nim Therak Nodutu | Rohana Weerasinghe, Sunil Edirisinghe | D Major | 8 | 10B | 128 BPM | ||
| Aya Yanna Giya | Amarasiri Peiris, Manik Jayasekara, Nirosha Virajini, Malani Bulathsinhala | F Minor | 5 | 4A | 170 BPM | ||
| Pun Sanda Raata | Nirosha Virajini | F Major | 4 | 7B | 132 BPM | ||
| Kusum Pipi | Somathilaka Jayamaha | G Major | 2 | 9B | 91 BPM | ||
| Eda Meda Thura | Sanath Nandasiri | F Major | 4 | 7B | 91 BPM | ||
| Mila Karanna Beri | Lakshman Hilmi | G Major | 5 | 9B | 180 BPM | ||
| Adaraneeya Neranjana | Priya Sooriyasena | A Major | 4 | 11B | 79 BPM | ||
| Sanda Yathra Kala | Chandana Liyanarachchi | G Minor | 6 | 6A | 137 BPM | ||
| Atha Ran Wiman | Priya Sooriyasena | D Major | 7 | 10B | 131 BPM | ||
| Sihinayaki Oba | Bandara Athauda, Buddhika Athauda | D♭ Major | 4 | 3B | 108 BPM | ||
| Me Bus Nawathuma | Punsiri Soysa | A♭ Major | 5 | 4B | 92 BPM | ||
| Mage Lamada | Priya Sooriyasena | D Major | 3 | 10B | 95 BPM | ||
| Seegiri Sukumaaliye | Priyantha Fernando | G Major | 7 | 9B | 176 BPM | ||
| Akuru Maki Na | Edward Jayakody, Rohana Weerasinghe | A♭ Major | 6 | 4B | 94 BPM | ||
| Sithin Sina Sisi | Rookantha Goonatillake, Chandralekha Perera | E Major | 5 | 12B | 137 BPM | ||
| Pemathura | Sanath Nandasiri | F Major | 9 | 7B | 111 BPM | ||
| Kandulu Pisadalana | Buddhika Athauda, Bandara Athauda | A Minor | 5 | 8A | 96 BPM | ||
| Sewane Kumbuk | T M Jayarathna | E Minor | 8 | 9A | 102 BPM |