"Sarah" by Angelo Milli had its release date on December 19, 2008. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Sarah's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Seven Pounds (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Sarah's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sarah by Angelo Milli having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Letter | Deborah Lurie | D Major | 1 | 10B | 132 BPM | ||
| You Are Not Alone | Angelo Milli | F♯ Minor | 2 | 11A | 68 BPM | ||
| Swamp (From the HBO Miniseries "Band of Brothers" Soundtrack) | Michael Kamen, London Metropolitan Orchestra, Maire Brennan, Zoe Kamen, John Anderson, Dave Lee, Julie Andrews | F Major | 0 | 7B | 137 BPM | ||
| Such Stuff That Dreams Are Made of | Conrad Pope | E Major | 1 | 12B | 88 BPM | ||
| Vigil | Ólafur Arnalds | F♯ Major | 0 | 2B | 75 BPM | ||
| Suspects | Ólafur Arnalds | E♭ Minor | 3 | 2A | 145 BPM | ||
| I Lived Here | Martin Phipps | A Minor | 1 | 8A | 96 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Goodbye Godric | Nathan Barr | B♭ Major | 2 | 6B | 148 BPM | ||
| Lake Baikal | Burkhard Dallwitz | F Minor | 7 | 4A | 92 BPM | ||
| Lumina | Innerviews | G Major | 1 | 9B | 115 BPM | ||
| Sonmi's Discovery | Tom Tykwer, Johnny Klimek, Reinhold Heil | D♭ Major | 3 | 3B | 82 BPM | ||
| Last Walk | Marc Streitenfeld | E Major | 2 | 12B | 127 BPM | ||
| Midnight in the Garden | Atli Örvarsson | F Major | 1 | 7B | 107 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| End Credits Suite | Nicholas Britell | E Minor | 0 | 9A | 82 BPM | ||
| I Won't Stop Looking Until I Find Them | Fernando Velázquez | D♭ Minor | 2 | 12A | 59 BPM | ||
| Bedtime Without Mom | Deborah Lurie | G Minor | 0 | 6A | 81 BPM | ||
| The World Is An Illusion | Asche & Spencer | G Major | 1 | 9B | 88 BPM | ||
| Cloud Atlas Finale | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 2 | 8B | 97 BPM | ||
| Leeloominai | Éric Serra | B Minor | 1 | 10A | 86 BPM | ||
| The Hunter | Matteo Zingales, Michael Lira, Andrew Lancaster | F♯ Minor | 1 | 11A | 142 BPM | ||
| Becoming George | Abel Korzeniowski | A Minor | 0 | 8A | 120 BPM | ||
| Twenty Years Later (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan | G Minor | 1 | 6A | 48 BPM | ||
| The Girl | Laurent Perez Del Mar | D Minor | 1 | 7A | 127 BPM |