"Снегурочка, действие II: Гимн Берендеев "Привет тебе, премудрый, великий Берендей!"" by Людмила Сергиенко, Татьяна Ерастова, Konstantin Baskov, Юрий Маркелов, Николай Низиенко, Станислав Сулейманов, Борис Морозов, хор Большого театра, Александр Лазарев, Оркестр Большого театра had its release date on November 18, 2014. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Римский-Корсаков: Снегурочка, so we believe that "Снегурочка, действие II: Гимн Берендеев "Привет тебе, премудрый, великий Берендей!"" is a single. The popularity of Снегурочка, действие II: Гимн Берендеев "Привет тебе, премудрый, великий Берендей!" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Снегурочка, действие II: Гимн Берендеев "Привет тебе, премудрый, великий Берендей!" by Людмила Сергиенко, Татьяна Ерастова, Konstantin Baskov, Юрий Маркелов, Николай Низиенко, Станислав Сулейманов, Борис Морозов, хор Большого театра, Александр Лазарев, Оркестр Большого театра is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bellini: I puritani, Act 1, Scene 1: A festa! (Coro) | Vincenzo Bellini, Riccardo Muti, Philharmonia Orchestra | B♭ Major | 3 | 6B | 88 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| L'elisir d'amore / Act II: "Qua la mano, giovinotto" | Gaetano Donizetti, Leo Nucci, Metropolitan Opera Chorus, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 133 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Un ballo in maschera / Act 3: "Eri tu che macchiavi quell'anima" | Giuseppe Verdi, Renato Bruson, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM | ||
| L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
| Norma / Act 1: Introduzione: Ite sul colle, o Druidi | Vincenzo Bellini, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | G Major | 2 | 9B | 94 BPM | ||
| Tosca, Act I: Or lasciami al lavoro | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| La Gioconda / Act 1: O monumento! | Amilcare Ponchielli, Sherrill Milnes, National Philharmonic Orchestra, Bruno Bartoletti | C Major | 2 | 8B | 167 BPM | ||
| Messa di Gloria: Cum Sancto Spiritu | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| Rossini: Soirées musicales: No. 1, La promessa | Gioachino Rossini, Rockwell Blake, Antonio Pappano | G Major | 2 | 9B | 82 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Ô Dieu Brahma !" (Leïla, Nadir, Chœur) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Janine Micheau, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 0 | 7B | 65 BPM | ||
| Simon Boccanegra, Act I: Cielo di stelle orbato | Giuseppe Verdi, Mirella Freni, Maria Fausta Gallamini, José Carreras, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | G Major | 2 | 9B | 82 BPM | ||
| Lucia di Lammermoor / Act 3: Ohimè! Sorge il tremendo fantasma | Gaetano Donizetti, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | B Major | 3 | 1B | 86 BPM | ||
| Andrea Chénier / Act 3: La mamma morta | Umberto Giordano, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | B Minor | 1 | 10A | 79 BPM | ||
| Cavalleria rusticana: Tu qui, Santuzza? – Fior la giaggolo | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D♭ Major | 1 | 3B | 164 BPM | ||
| Wagner: Lohengrin, Act 1: "Des Ritters will ich wahren" (Elsa, Chor, König Heinrich) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow, Chor der Deutschen Oper Berlin, Karl Ridderbusch | G Major | 2 | 9B | 82 BPM | ||
| Stabat Mater: III. Quis est homo (Duet) | Gioachino Rossini, Howard Arman, Rosa Feola, Gerhild Romberger, Munich Radio Orchestra | E Major | 1 | 12B | 78 BPM | ||
| Puccini: Tosca, Act 2: "Meno male!" (Scarpia, Spoletta, Coro, Cavaradossi, Tosca) | Giacomo Puccini, Maria Callas, Angelo Mercuriali, Coro Del Teatro Alla Scala Di Milano, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Tito Gobbi, Victor de Sabata | C Major | 2 | 8B | 111 BPM | ||
| Lucia di Lammermoor / Act 2: "Ebben? - Di tua speranza" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Minor | 1 | 8A | 174 BPM | ||
| Puccini: Tosca, Act 1: "È buona la mia Tosca" (Cavaradossi, Angelotti) | Giacomo Puccini, Victor de Sabata, Franco Calabrese, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano | C Minor | 2 | 5A | 78 BPM | ||
| Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): II. Le spectre de la rose | Hector Berlioz, Benjamin Bernheim, Carrie-Ann Matheson | B♭ Major | 1 | 6B | 78 BPM | ||
| Soy Dalí Excerpt | Hermanos Ferrando, Ignacio Ferrando, Jorge Ferrando | B♭ Major | 1 | 6B | 112 BPM | ||
| Un ballo in maschera, Act I: Re dell'abisso – Su, fatemi largo | Giuseppe Verdi, Regina Resnik, Luciano Pavarotti, José van Dam, Mario Alessandrini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | D Major | 0 | 10B | 98 BPM |