Pery Ribeiro's ' "Maria Moita" was released on its scheduled release date, January 5, 1965. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Maria Moita's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Pery". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Brazil. In terms of popularity, Maria Moita is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Maria Moita by Pery Ribeiro having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I've Got You Under My Skin | Fogueira Tres | B♭ Minor | 4 | 3A | 105 BPM | ||
| Menina Moça | Tito Madi | E Minor | 3 | 9A | 116 BPM | ||
| Horários Diferentes | JAZZ EM MARQUES | G Major | 5 | 9B | 90 BPM | ||
| Boca da Noite | Marcia | A Major | 2 | 11B | 126 BPM | ||
| De médico e de louco | TICO DE MORAES, Nelson Wellington, Alexander Raichenok, Misael Barros | G Major | 5 | 9B | 90 BPM | ||
| Na Minha Palhoça | Lucio Alves | E Minor | 5 | 9A | 171 BPM | ||
| Desacostumei De Carinho | Fatima Guedes | A Minor | 4 | 8A | 92 BPM | ||
| Última Inspiração | Carlos Galhardo | C Minor | 3 | 5A | 92 BPM | ||
| Quedémonos Aquí | Keep Calm | A♭ Minor | 4 | 1A | 123 BPM | ||
| Dons | Elias Frederico, Ariane Salari, Hector Costita, Sandro Haick | G Minor | 6 | 6A | 130 BPM | ||
| Mudando De Conversa | Doris Monteiro, Lucio Alves | F Minor | 5 | 4A | 148 BPM | ||
| Summer Samba | Irene and Her Latin Jazz Band | A Minor | 4 | 8A | 123 BPM | ||
| キャント・バイ・ミー・ラヴ | Tahta Menezes | C Major | 4 | 8B | 122 BPM | ||
| Como Fue | Santo Morales | G Major | 5 | 9B | 86 BPM | ||
| Pressentimento | Roberto Silva | C Minor | 5 | 5A | 95 BPM | ||
| She loves you | Monique Kessous | G Major | 5 | 9B | 90 BPM | ||
| Se Acaso Você Chegasse | Roberto Silva | D♭ Minor | 5 | 12A | 95 BPM | ||
| Endless Love - Bossa Version | Carol, Zeca Rodrigues | G Major | 5 | 9B | 90 BPM | ||
| Call Me Irresponsible | Maria Luiza | B♭ Major | 4 | 6B | 120 BPM | ||
| Só Tinha de Ser Com Você | Quarteto Jobim-Morelenbaum | G Major | 3 | 9B | 142 BPM | ||
| Canção Do Fim (Make Haste My Love) | Moacyr Franco | G Minor | 4 | 6A | 82 BPM | ||
| Pensando Em Ti | Tania Alves, Trio Irakitan | D♭ Minor | 3 | 12A | 95 BPM | ||
| E Nada Mais | Leny Andrade | B Minor | 4 | 10A | 129 BPM | ||
| Overture / Desafinado / O Pato / Ela É Carioca / Vivo Sonhando / Garota De Ipanema | Leila Pinheiro | C Major | 4 | 8B | 89 BPM | ||
| Massa Real | Alexandre Leão | C Major | 4 | 8B | 116 BPM |