Returning We Hear the Larks's ' "God He Sees in Mirrors" was released on its scheduled release date, September 28, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in God He Sees in Mirrors and no other songs are present in the album, we classify this track as a single. The popularity of God He Sees in Mirrors is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of God He Sees in Mirrors by Returning We Hear the Larks to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Line-Trap | Returning We Hear the Larks | G Major | 9 | 9B | 100 BPM | ||
| Synthetic Drift | Olympus Lenticular | C Major | 9 | 8B | 160 BPM | ||
| Ulterior Motive | Lunarite | C Major | 8 | 8B | 170 BPM | ||
| Io | Returning We Hear the Larks | C Major | 5 | 8B | 135 BPM | ||
| Beliefs | Interiors | E Minor | 9 | 9A | 120 BPM | ||
| Wastelands | Anup Sastry | F♯ Major | 10 | 2B | 115 BPM | ||
| Alive | Polarization | F♯ Minor | 9 | 11A | 109 BPM | ||
| Impending Circumstances | Shades Of Black | F♯ Major | 10 | 2B | 112 BPM | ||
| April | Fractalize | D Major | 10 | 10B | 120 BPM | ||
| Dreamscapes | Sean Hall | G Major | 10 | 9B | 145 BPM | ||
| Desolation | Jake Howsam Lowe, Stephen Taranto | E♭ Major | 10 | 5B | 96 BPM | ||
| Fátima | Echopraxia | D♭ Major | 10 | 3B | 158 BPM | ||
| New Breed | Pomegranate Tiger | E Major | 10 | 12B | 113 BPM | ||
| Memories | Shokran | A Major | 10 | 11B | 103 BPM | ||
| Norway Jose | Haunted Shores | E Minor | 9 | 9A | 102 BPM | ||
| The Despairing Sea I: In Search of Solace | Returning We Hear the Larks | E Minor | 10 | 9A | 200 BPM | ||
| The Endless March (Instrumental) | After The Burial | D♭ Major | 10 | 3B | 200 BPM | ||
| The Inception | Circle of Contempt | D♭ Major | 9 | 3B | 150 BPM | ||
| Counting Eyes | Anup Sastry, Adam Bentley | D Major | 9 | 10B | 103 BPM | ||
| Treetops (Instrumental) | Corelia | C Major | 9 | 8B | 120 BPM | ||
| Horn | Shades Of Black | C Minor | 10 | 5A | 130 BPM | ||
| Bubble Guts | Shades of Black | F Minor | 10 | 4A | 108 BPM | ||
| Sands of Time | Shokran | A Major | 10 | 11B | 136 BPM | ||
| Gallows | Path of Giants | D Major | 10 | 10B | 129 BPM | ||
| Collapses | Shokran | A Major | 10 | 11B | 138 BPM |