Philip Glass, Brooklyn Rider's 'String Quartet No. 5: III.' had a release date set for March 1, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 28 in Brooklyn Rider Plays Philip Glass by Philip Glass, Brooklyn Rider. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, String Quartet No. 5: III. is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 5: III. by Philip Glass, Brooklyn Rider is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All In Circles | Shida Shahabi | A♭ Major | 1 | 4B | 146 BPM | ||
| Darkness Falls | Kronos Quartet, Laurie Anderson | D Minor | 3 | 7A | 156 BPM | ||
| The Quiet Man | Federico Albanese | F Minor | 1 | 4A | 175 BPM | ||
| Bark'n'bass at Montparnasse | VITMAY | A Major | 1 | 11B | 102 BPM | ||
| Why Does Someone Have to Die? | Philip Glass | G Minor | 0 | 6A | 78 BPM | ||
| Feathers | Poppy Ackroyd | B♭ Minor | 1 | 3A | 95 BPM | ||
| Wolf Hall | Debbie Wiseman | G Major | 2 | 9B | 105 BPM | ||
| The Reader (Malbork) | Bill Ryder-Jones | F Major | 2 | 7B | 77 BPM | ||
| Wandering II | Eydís Evensen | G Minor | 2 | 6A | 81 BPM | ||
| Tales from the Loop | Philip Glass, Paul Leonard-Morgan | B Minor | 1 | 10A | 150 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| and she was | Carlos Cipa | E Minor | 0 | 9A | 100 BPM | ||
| Entrada: At The River | Ingram Marshall | C Minor | 2 | 5A | 84 BPM | ||
| Pärt: Für Lennart in memoriam | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | D Minor | 2 | 7A | 80 BPM | ||
| Scene 1 | Michael Galasso | A Minor | 2 | 8A | 117 BPM | ||
| 24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
| China Gates | John Adams, Anthony Romaniuk | B Minor | 7 | 10A | 115 BPM | ||
| Shadow Land, Pt. 1 | Federico Albanese | F Minor | 1 | 4A | 123 BPM | ||
| Violin Solo No. 1 | Peter Broderick | G Minor | 1 | 6A | 95 BPM | ||
| Pink And Golden Billows | Brambles | A♭ Minor | 3 | 1A | 120 BPM | ||
| 2.3 Courante | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | F Major | 4 | 7B | 100 BPM | ||
| Éxta | Sebastian Plano | B Minor | 3 | 10A | 120 BPM | ||
| Mirror Lake | Angus MacRae | A♭ Major | 1 | 4B | 131 BPM | ||
| Invitation to the Voyage | Julia Kent | D Minor | 4 | 7A | 180 BPM | ||
| Walk to School | Philip Glass, Paul Leonard-Morgan | A Minor | 0 | 8A | 170 BPM |