"Why Jack Called" by Christophe Beck had its release date on January 1, 2006. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Why Jack Called's duration is considered a little bit shorter than the average duration of a typical track. This song is part of We Are Marshall (Original Motion Picture Score) by Christophe Beck. The song's track number on the album is #10 out of 20 tracks. Why Jack Called is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Why Jack Called by Christophe Beck has a tempo of 49 beats per a minute, the tempo markings of this song would be Lento (slowly). With Why Jack Called being at 49 BPM, the half-time would be 24 BPM with a double-time of 98 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Magical House Cleaning / Blue or Pink - From "Sleeping Beauty"/Score | George Bruns | F Minor | 3 | 4A | 122 BPM | ||
| Titanic | The Chamber Orchestra Of London | A♭ Minor | 1 | 1A | 71 BPM | ||
| Suite From Mulan | Jerry Goldsmith, Disney | C Major | 1 | 8B | 93 BPM | ||
| The Giant Wakes | Michael Kamen | G Major | 2 | 9B | 173 BPM | ||
| Zeige dich - Instrumental | Kristen Anderson-Lopez, Robert Lopez | F♯ Major | 3 | 2B | 124 BPM | ||
| Jane Can Fly | Joel McNeely | C Major | 4 | 8B | 141 BPM | ||
| I've Lost Everything Now | Steven Price | D♭ Major | 2 | 3B | 82 BPM | ||
| Genie And Jasmine/Cassim Leaves - Score | Mark Watters, Carl Johnson | D Minor | 0 | 7A | 76 BPM | ||
| Burnish Does Some Tracking | Rupert Gregson-Williams | A♭ Major | 2 | 4B | 75 BPM | ||
| The Fourth Virtue - Extended | Harry Gregson-Williams | D Minor | 0 | 7A | 82 BPM | ||
| If I Were the Ocean | Mark Mancina | A Minor | 0 | 8A | 69 BPM | ||
| I'm Coming Love | Alfonso G. Aguilar | G Major | 1 | 9B | 84 BPM | ||
| Baby Moves In | Joseph Trapanese | G Minor | 1 | 6A | 69 BPM | ||
| The Lesson of the Phoenix | Harry Gregson-Williams | C Minor | 0 | 5A | 88 BPM | ||
| Requiem for Kate | Chris Bacon | D Minor | 1 | 7A | 86 BPM | ||
| How to Find the Good Ones | Dan Romer | A♭ Major | 2 | 4B | 161 BPM | ||
| Ben | Trevor Rabin | C Major | 1 | 8B | 119 BPM | ||
| Sea Of Monsters | Andrew Lockington, Tiff Randol, Nicholas Dodd | G Minor | 1 | 6A | 102 BPM | ||
| The Enchanted Castle | Lex de Azevedo, Larry Bastian, David Zippel, Larry Schwartz | D♭ Major | 1 | 3B | 96 BPM | ||
| On The Rooftop/What's a Kiss/Perturbed Pixie - Original | The Cast of Peter Pan | F♯ Minor | 1 | 11A | 113 BPM | ||
| Dreams and the Music Box | Klaus Badelt | C Major | 4 | 8B | 111 BPM | ||
| My Darlings/99/Better Be Off/Fire One/All Clear - Original | The Cast of 101 Dalmatians | F Major | 3 | 7B | 119 BPM | ||
| Das Schiff | Christophe Beck | B♭ Major | 0 | 6B | 135 BPM | ||
| My Shadow | Daniel Hart | F Major | 3 | 7B | 128 BPM | ||
| One Hundred and One Dalmatians (Main Titles) / Good Morning, Pongo / Walking The Dog | Michael Kamen | C Major | 1 | 8B | 109 BPM |