"Round Start Montage" by Brian Tuey had its release date on April 23, 2013. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 26 in Call of Duty: Black Ops II Zombies – "Mob of the Dead" (Official Soundtrack) by Brian Tuey, Kevin Sherwood, James McCawley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Round Start Montage's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Round Start Montage by Brian Tuey is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Resistance Shall Be Made | Avalanche Studios | D♭ Major | 6 | 3B | 160 BPM | ||
| Vigilante | Brian Reitzell | D Major | 2 | 10B | 120 BPM | ||
| Code of Conduct | Hans Zimmer | D Major | 7 | 10B | 96 BPM | ||
| Left 4 Dead Theme | Ismael Sposito | D Major | 6 | 10B | 202 BPM | ||
| Trenches, Pt. 1 | James McCawley | F Minor | 7 | 4A | 126 BPM | ||
| Martial Law | Brain | D Major | 9 | 10B | 144 BPM | ||
| Chorus | Trocadero | G Major | 5 | 9B | 105 BPM | ||
| The Rager Bear | Nathan Whitehead | B♭ Minor | 6 | 3A | 122 BPM | ||
| Abracadavre (From “Call of Duty: Black Ops - Ascension”) - Instrumental | Kevin Sherwood | D Major | 6 | 10B | 100 BPM | ||
| Urban Darkness Part 08 | Bjørn Lynne | A♭ Major | 0 | 4B | 71 BPM | ||
| The Duke | Shusaku Uchiyama | D♭ Major | 4 | 3B | 138 BPM | ||
| The Following | Pawel Blaszczak | G Major | 2 | 9B | 95 BPM | ||
| Shockwave Battle | Jeff Broadbent | D♭ Major | 9 | 3B | 82 BPM | ||
| Choose Your Destiny | Deon Van Heerden | A Minor | 9 | 8A | 164 BPM | ||
| This Ends Here | Mike Zarin, Tony Hajjar | G Major | 6 | 9B | 122 BPM | ||
| Project Long Shadow | Scott R. Morgan | F Major | 8 | 7B | 154 BPM | ||
| Bombing Run | Bear McCreary | D♭ Major | 7 | 3B | 81 BPM | ||
| The Bound | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| The Shackles I Wore | Dan Romer | A♭ Major | 9 | 4B | 93 BPM | ||
| Spies vs. Mercs | Kaveh Cohen, Michael Nielsen | D Major | 6 | 10B | 113 BPM | ||
| A Path | Brian Tuey | A Minor | 2 | 8A | 67 BPM | ||
| Six In The Blind | Walter Mair | F♯ Major | 2 | 2B | 83 BPM | ||
| Big Anger on the Lake - Del Lago | Kota Suzuki, 千本木操 | D♭ Major | 7 | 3B | 140 BPM | ||
| Savimbi’s Pride | Jack Wall | D Major | 6 | 10B | 147 BPM | ||
| Can't You Just Play Along? | Christopher Drake | G Major | 3 | 9B | 88 BPM |