George Dyson, Simon Callaghan, Cliodna Shanahan's 'Concerto leggiero (Version for 2 Pianos): III. Vivace' had a release date set for October 16, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 57 in Dyson: Complete Music for Piano by George Dyson, Simon Callaghan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Concerto leggiero (Version for 2 Pianos): III. Vivace is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto leggiero (Version for 2 Pianos): III. Vivace by George Dyson, Simon Callaghan, Cliodna Shanahan is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clarinet Concerto: I. Slowly and expressively - | Aaron Copland, David Singer, Far Cry, A | D Minor | 0 | 7A | 86 BPM | ||
| The Seekers | George Dyson, BBC Concert Orchestra, Roderick Williams | C Minor | 2 | 5A | 86 BPM | ||
| 4 Scottish Dances, Op. 59: No. 3. Allegretto | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | F Major | 0 | 7B | 141 BPM | ||
| Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 74 BPM | ||
| Elgar: Chanson de matin, Op. 15 No. 2 | Edward Elgar, Andrew Davis, BBC Symphony Orchestra | G Major | 1 | 9B | 92 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | C Major | 3 | 8B | 93 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): IV. Kitty Valse | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
| Wiegenlied Op.41 Nr 1 | Richard Strauss, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D Major | 0 | 10B | 123 BPM | ||
| Falla: El sombrero de tres picos, Pt. 2: Danza final | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 3 | 8B | 93 BPM | ||
| Momentum: Intermezzo | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| A Song before Sunrise | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Quo Vadis: IV. Night hath no wings (Tenor, Semi-chorus) | George Dyson, Richard Hickox, BBC National Orchestra Of Wales, Philip Langridge, Steven Burnard, Royal Welsh College of Music and Drama Chamber Choir | C Minor | 1 | 5A | 78 BPM | ||
| Variations on Old Psalm Tunes, Book 1: No. 1. Forth in thy name | George Dyson, Daniel Cook | F Major | 1 | 7B | 104 BPM | ||
| Choral Symphony: IV. Allegro molto - Andante tranquillo - Con moto comodo | George Dyson, Elizabeth Watts, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | E Minor | 1 | 9A | 76 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | ||
| L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
| Suite: Graceful Dance | Ernest Tomlinson, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 3 | 10B | 133 BPM | ||
| Symphony No. 1 in E-Flat Major: 3. Andante | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | D Major | 0 | 10B | 82 BPM | ||
| Abendlied, Op. 107 No. 6 | Robert Schumann, Neeme Järvi, Detroit Symphony Orchestra | D♭ Major | 0 | 3B | 78 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| The Holy Boy | John Ireland, Richard Hickox, London Symphony Orchestra | G Minor | 0 | 6A | 101 BPM | ||
| Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): III. Bolero, "This is New" | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
| Bethlehem Down (Arr. P. Lane) | Peter Warlock, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 67 BPM | ||
| The Canterbury Pilgrims: II. The Knight | George Dyson, Richard Hickox, London Symphony Orchestra, Yvonne Kenny, Robert Tear, Stephen Roberts, London Symphony Chorus, Malcom Hicks | A Major | 2 | 11B | 76 BPM |