Sean081799's 'Where We Used To Be (From "Xenoblade Chronicles 2")' had a release date set for October 16, 2020. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Where We Used To Be (From "Xenoblade Chronicles 2") only contains only one song in the album, we like to consider this song as a single. Where We Used To Be (From "Xenoblade Chronicles 2") is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Where We Used To Be (From "Xenoblade Chronicles 2") by Sean081799 has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Where We Used To Be (From "Xenoblade Chronicles 2") being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Faces of a Fading Moon | Levin Gia Bao Nguyen, Resonance In Dissonance | A Minor | 2 | 8A | 80 BPM | ||
| Kamura's Song of Purification - From "Monster Hunter Rise" - Piano Version | Ru's Piano | F Minor | 1 | 4A | 149 BPM | ||
| Crimson Loftwing Zelda Skyward Sword | Makir | D♭ Major | 1 | 3B | 150 BPM | ||
| Bicycle Theme (From "Pokémon Red/Blue/Yellow") | Michael Tai | C Major | 1 | 8B | 76 BPM | ||
| Mt. Coronet (Pokemon Diamond/Pearl/Platinum) | Will Pisani | F Minor | 3 | 4A | 154 BPM | ||
| Imaginary Drought | avion | B♭ Major | 0 | 6B | 120 BPM | ||
| 「Keeping the Peace」 from DISSIDIA FINAL FANTASY | 石元 丈晴 | D Minor | 1 | 7A | 120 BPM | ||
| Respite | Osirois Music | A♭ Major | 2 | 4B | 82 BPM | ||
| Garden of Memories (From "Dark Chronicle") | Duhemsounds | D Minor | 0 | 7A | 74 BPM | ||
| Water Temple | Chewie Melodies | E Minor | 0 | 9A | 98 BPM | ||
| Vector to the Heavens | Mohmega | C Minor | 4 | 5A | 115 BPM | ||
| Depths of the Night (From "Chrono Trigger") | Paper Coelacanth | D Minor | 0 | 7A | 78 BPM | ||
| Powell | TPR | A Minor | 1 | 8A | 141 BPM | ||
| Voices of Winter | Tomoki Miyoshi | B Major | 0 | 1B | 30 BPM | ||
| An Ending | Jeremiah Sun | C Major | 6 | 8B | 120 BPM | ||
| Room with Amber Light | Angelo Ceriani | F Major | 2 | 7B | 97 BPM | ||
| The Weight of Life | Katie Shesko, CelloKat | B♭ Major | 2 | 6B | 168 BPM | ||
| Piano: Copied City | 帆足圭吾 | F Minor | 3 | 4A | 88 BPM | ||
| 作戦 | YUKARI HASHIMOTO | G Minor | 2 | 6A | 136 BPM | ||
| Zelda's Lullaby - A Link to the Past - Piano Rendition | The Blue Notes | G Major | 1 | 9B | 204 BPM | ||
| Silent Hill f - Shichibi no Tasogare | Juggernoud1 | F Minor | 2 | 4A | 180 BPM | ||
| Waking Up | Jeremiah Sun | E♭ Minor | 5 | 2A | 81 BPM | ||
| Pokémon Center (Night) [From "Pokémon Diamond/Pearl/Platinum"] | ViolinGamer | E Minor | 1 | 9A | 126 BPM | ||
| Frozen Highlands | Tomoki Miyoshi | G Minor | 2 | 6A | 165 BPM | ||
| Somersault | Vincent Diamante, Gerard Pastor | F♯ Major | 0 | 2B | 60 BPM |