Ornette Coleman's ' "Focus on Sanity" was released on its scheduled release date, 1959. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "The Shape Of Jazz To Come". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Focus on Sanity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Focus on Sanity by Ornette Coleman having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rouge | Miles Davis | G Major | 4 | 9B | 175 BPM | ||
| Pumpkin | Andrew Hill | G Minor | 4 | 6A | 137 BPM | ||
| Battle At Armageddon | Alice Coltrane | F Major | 6 | 7B | 89 BPM | ||
| Self-Portrait In Three Colours | Charles Mingus | B♭ Major | 1 | 6B | 168 BPM | ||
| Jelly Roll | Charles Mingus | A♭ Major | 2 | 4B | 124 BPM | ||
| Senor Mouse | Gary Burton, Chick Corea | B Minor | 2 | 10A | 112 BPM | ||
| House Of Jade - Rudy Van Gelder 24 Bit Mastering/1999 Digital Remaster | Wayne Shorter | G Minor | 3 | 6A | 98 BPM | ||
| Coming On The Hudson - Live At The Five Spot / August 7, 1958 | Thelonious Monk Quartet, Johnny Griffin | C Minor | 3 | 5A | 142 BPM | ||
| Two Bass Hit | Miles Davis | A♭ Major | 5 | 4B | 115 BPM | ||
| Martinelli | Howard Shore, Ornette Coleman | D Major | 0 | 10B | 68 BPM | ||
| A Love Supreme, Pt. I – Acknowledgement | John Coltrane | F Minor | 6 | 4A | 122 BPM | ||
| Delilah | Clifford Brown, Max Roach Quintet | D Major | 2 | 10B | 143 BPM | ||
| Ask Me Now | Thelonious Monk Quintet | D♭ Major | 3 | 3B | 116 BPM | ||
| The Bridge - Remastered | Sonny Rollins | G Major | 5 | 9B | 83 BPM | ||
| Isotope - Remastered 2004/Rudy Van Gelder Edition | Joe Henderson | F Major | 6 | 7B | 97 BPM | ||
| Cosmic Rays | Charlie Parker Quartet | F Major | 2 | 7B | 132 BPM | ||
| Evidence | Thelonious Monk Quartet | F Minor | 4 | 4A | 99 BPM | ||
| One Finger Snap - Alternate Take / Remastered | Herbie Hancock | F Minor | 8 | 4A | 130 BPM | ||
| Little B's Poem - Remastered 1994 | Bobby Hutcherson | B♭ Minor | 2 | 3A | 143 BPM | ||
| Lonely Woman | Ornette Coleman | A Minor | 4 | 8A | 81 BPM | ||
| Now He Beats The Drum, Now He Stops | Chick Corea | A♭ Major | 4 | 4B | 113 BPM | ||
| Just A Gigolo - Live At The Five Spot / August 7, 1958 | Thelonious Monk Quartet | F Minor | 5 | 4A | 124 BPM | ||
| Dance Cadaverous - Alternate Take / Remastered1998/Rudy Van Gelder Edition | Wayne Shorter | G Major | 5 | 9B | 88 BPM | ||
| Lazy Bird - Remastered 2003/Rudy Van Gelder Edition | John Coltrane | E♭ Major | 5 | 5B | 125 BPM | ||
| New Monastery - Rudy Van Gelder Edition/1999 Remaster | Andrew Hill | F♯ Major | 5 | 2B | 141 BPM |