John Richard Paul's 'Midwestern Modesty' had a release date set for February 6, 2026. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Midwestern Modesty and no other songs are present in the album, we classify this track as a single. Midwestern Modesty is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Midwestern Modesty by John Richard Paul to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When your heart was broke | Glade Zarn | D♭ Major | 3 | 3B | 117 BPM | ||
| Float Away | Driftwood | C Major | 5 | 8B | 75 BPM | ||
| Answering the Call | Joel Jerome | G Major | 4 | 9B | 118 BPM | ||
| Dark of the night | The Remnants | D♭ Major | 3 | 3B | 117 BPM | ||
| I Learned That from You (New Mix) | Denise Glover | D♭ Minor | 3 | 12A | 80 BPM | ||
| Mario Cart Trophy Presentation | A Brother's Fountain, Trevor Michael | D Major | 3 | 10B | 75 BPM | ||
| Uncle John | Stuart MacLean | G Major | 1 | 9B | 84 BPM | ||
| Anxious | Steve The Trailplayer | D♭ Major | 3 | 3B | 117 BPM | ||
| Call Again | Matt Code | E♭ Major | 3 | 5B | 135 BPM | ||
| Crowded Out | Midnight Chicken | F♯ Major | 5 | 2B | 155 BPM | ||
| I Was Still There | Dustin Brown, Tribe & King | G Major | 3 | 9B | 125 BPM | ||
| Relatively Sober | Brock Gleeson | D♭ Major | 3 | 3B | 117 BPM | ||
| By Tomorrow Morning | Tounds | G Major | 3 | 9B | 110 BPM | ||
| Murder in the City | Dakota Ray Parker | B♭ Major | 1 | 6B | 81 BPM | ||
| If Horses Had Wings | Forrest McCurren | E♭ Major | 5 | 5B | 78 BPM | ||
| I’m Coming Home Tomorrow | Darkii | G Major | 7 | 9B | 94 BPM | ||
| The Hooks | Caledonia | A Major | 2 | 11B | 190 BPM | ||
| Spooking the Horses | Mike McCullough | D Major | 2 | 10B | 117 BPM | ||
| Need No One (Dorm Room Sessions) | Benjamin Tufts | D♭ Major | 1 | 3B | 60 BPM | ||
| A Lifetime Ago | Darrell Scott, Dale Scott | B♭ Major | 1 | 6B | 104 BPM | ||
| I Fall Apart | Viola & the Brakemen | C Major | 5 | 8B | 129 BPM | ||
| If It Could Be Me | The Alexander Meadows | D Major | 3 | 10B | 82 BPM | ||
| Green Grass | The Hill Country Devil | D Minor | 1 | 7A | 80 BPM | ||
| Always Been Good to Me | Jonathan Maud | A Major | 6 | 11B | 185 BPM | ||
| Chemical Breeze | Johnny Ironsights, Chance McCoy | A Minor | 3 | 8A | 132 BPM |