The Peter Forêt Project, Michael Curtis Hanna's ' "Color Me Gone" was released on its scheduled release date, August 5, 2020. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Peter Forêt Project's "Marvelville" album is number 3 out of 11. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Color Me Gone is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Color Me Gone by The Peter Forêt Project, Michael Curtis Hanna to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Leave It a Lie | Shinyribs | F Major | 6 | 7B | 78 BPM | ||
| Don't Look Back | Funk Off, Nick The Nightfly | B♭ Minor | 7 | 3A | 102 BPM | ||
| Head On A Swivel | The Dip | B♭ Major | 5 | 6B | 140 BPM | ||
| Gin House Blues | Mike Mattison | G Minor | 6 | 6A | 105 BPM | ||
| A Change Is Gonna Come | Ben Sollee | A Major | 5 | 11B | 97 BPM | ||
| You Can't Fight Love | Mike Mattison | C Major | 5 | 8B | 105 BPM | ||
| Wrapped up, Tangled up in the Blues | Kirk Fletcher | A♭ Major | 9 | 4B | 120 BPM | ||
| The Lord Will Make A Way Somehow | Mike Farris | F Major | 9 | 7B | 100 BPM | ||
| Faith Thang | 1-A-Chord Band | F Minor | 6 | 4A | 90 BPM | ||
| Keep on Dancing | Sacco & Mancetti | G Minor | 5 | 6A | 90 BPM | ||
| You Had My Heart | Robert Cray, Hi Rhythm | F Major | 5 | 7B | 95 BPM | ||
| Heart of the City (Streetlife) | Ollie Sark | A Minor | 5 | 8A | 110 BPM | ||
| Private Rendezvous | Flat Moon | A♭ Major | 4 | 4B | 104 BPM | ||
| Walkin' After Midnight | Madeleine Peyroux | A Major | 5 | 11B | 96 BPM | ||
| fool on the hill | Hussy Hicks, Minnie Marks | C Major | 7 | 8B | 80 BPM | ||
| All the Way | Keb' Mo' | B♭ Major | 5 | 6B | 105 BPM | ||
| Blues Delight | Blues Delight | D Major | 5 | 10B | 96 BPM | ||
| Welcome to Earth (Pollywog) | Sturgill Simpson | D Major | 6 | 10B | 123 BPM | ||
| That's Enough | John Scofield | G Major | 3 | 9B | 86 BPM | ||
| Strung Out | Etta James | A♭ Major | 4 | 4B | 118 BPM | ||
| Bruce Cafe | Eric Lindell | E Minor | 3 | 9A | 168 BPM | ||
| Come To Mama | Etta James | C Major | 7 | 8B | 169 BPM | ||
| Somebody To Love You | Delbert McClinton | B♭ Major | 6 | 6B | 118 BPM | ||
| Just the One (I’ve Been Looking For) | Huey Lewis & The News | C Major | 6 | 8B | 102 BPM | ||
| Everything About You | Gabe Dixon | D Major | 5 | 10B | 70 BPM |