On September 18, 2025, the song "Ranchhod Rangila" was released by Apexa Pandya. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Timli Gafuli na Tale Garba". In this album, this song's track order is #13. Furthermore, we believe that the track originated from India. In terms of popularity, Ranchhod Rangila is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ranchhod Rangila by Apexa Pandya having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dwarkavalo Dhyan Rakhe Amaru | Vipul Susra | F Major | 9 | 7B | 112 BPM | ||
| એવા રૂડા મંગલ ગીત ગવડાવો - Rashmita Rabari | Mangal Geet Gavdavo -Trending Lagan Geet | Studio Krishna Bhanvad | B♭ Major | 10 | 6B | 145 BPM | ||
| Ataku To Aavje Maadi Re | Bhoomi Trivedi, Hariom Gadhavi | F Minor | 8 | 4A | 106 BPM | ||
| Avo Navlakh Nejadi Maa | Milan Kakadiya | F Major | 9 | 7B | 119 BPM | ||
| Odhani | Jignesh Barot, Rahul Nadiya, Ravi Nagar, Darshan Bajigar | F♯ Major | 8 | 2B | 140 BPM | ||
| Chelaji Re | Apexa Pandya | F♯ Major | 8 | 2B | 170 BPM | ||
| Vir Na Mandavda | Hansha Bharwad | E Major | 9 | 12B | 113 BPM | ||
| Man Nu Madaliyu Momai | Hansha Bharwad | F Major | 10 | 7B | 190 BPM | ||
| Aayo Shu Tara Gom Ma | Dilip Thakor | F Minor | 10 | 4A | 150 BPM | ||
| Rove Aankhadiyu | Pankaj Mistry | G Major | 9 | 9B | 120 BPM | ||
| Kajal Ne Game Bas Sath Ek Taro | Kajal Maheriya | F Major | 9 | 7B | 170 BPM | ||
| Bandhi Muthi Sava Lakh Ni | Aakash Ramun | B Major | 9 | 1B | 125 BPM | ||
| Tara Prem Ma Pure Puro Pati Gayo | Jignesh Kaviraj | E Minor | 10 | 9A | 58 BPM | ||
| Kem Kano Mira Ke Radha Ne Nathi Malto - Original | Sanjay Barot, Apexa Pandya | D Minor | 8 | 7A | 143 BPM | ||
| Meldi Tari Vatu Jota | Anil Bharwad | E♭ Major | 7 | 5B | 120 BPM | ||
| Mara Motni Tarikho Aai Dhukdi | Gopal Thakor | C Minor | 9 | 5A | 112 BPM | ||
| Tame Kya Sharif Cho | Jignesh Kaviraj, Raj Choksi | A♭ Minor | 5 | 1A | 75 BPM | ||
| Baba Ekar To Darbar Mein Bulay Lije Re | Anil Nagori | C Major | 9 | 8B | 85 BPM | ||
| Thakar Thakar Re | Mehulraj Algotar | B♭ Major | 7 | 6B | 105 BPM | ||
| Chamunda Maa No Aalap | JK Timba | B♭ Major | 9 | 6B | 88 BPM | ||
| Prem Ni Sarhad | Gaman Santhal | F♯ Major | 9 | 2B | 142 BPM | ||
| King Of Salangpur | Dhruv Ahir, Jay Korat | D♭ Major | 9 | 3B | 210 BPM | ||
| Chhutkaro | Rahul Javanpura, Manish Thakor | D♭ Major | 8 | 3B | 135 BPM | ||
| Chokari Pate Gai Mari Style Ma | Jashvant Rathva, Tulsi Tarabada, Satish Tarabada | F♯ Major | 7 | 2B | 57 BPM | ||
| Motor Marge Hali Jaay | Kajal Maheriya | F♯ Major | 9 | 2B | 58 BPM |