On March 21, 2016, the song "Class Clown" was released by Toby Knowles, Stuart Barter. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 20 in Acoustic Fun Promos by Various Artists. In terms of popularity, Class Clown is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Class Clown by Toby Knowles, Stuart Barter is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le nostre vite | Paolo Buonvino | E Minor | 1 | 9A | 114 BPM | ||
| The Electrical Life of Louis Wain | Arthur Sharpe | F♯ Major | 1 | 2B | 90 BPM | ||
| Il Treno per la Neve | Nicola Piovani | B Minor | 3 | 10A | 138 BPM | ||
| Perdutamente | Andrea Guerra | F Minor | 2 | 4A | 89 BPM | ||
| Waiting for Tim | Paul Leonard-Morgan | A Minor | 0 | 8A | 180 BPM | ||
| Broken Cowboy | Craig DeLeon | G Minor | 2 | 6A | 70 BPM | ||
| Made in Britain | Guy Skornik, Elisabeth Skornik | D Major | 2 | 10B | 90 BPM | ||
| Games of Magic | Daria Novo | C Major | 4 | 8B | 94 BPM | ||
| At Evenfall | Howard Harper-Barnes | A♭ Major | 3 | 4B | 120 BPM | ||
| Voci Del Mio Abisso | Andrea Guerra | G Minor | 1 | 6A | 124 BPM | ||
| Quarantine | Toby Knowles | G Minor | 1 | 6A | 140 BPM | ||
| Nú Vil ég Enn í Nafni þínu | Ragga Gísla, Petur Jonsson | C Minor | 3 | 5A | 120 BPM | ||
| Forgive Me | Rachel Portman | G Minor | 1 | 6A | 57 BPM | ||
| Bella Sees Billy | Anne Niktin | C Major | 2 | 8B | 126 BPM | ||
| Deep Water | Rob Simonsen | A♭ Major | 2 | 4B | 67 BPM | ||
| Albert Wears the Crown | Ruth Barrett, David Schweitzer | A Minor | 4 | 8A | 65 BPM | ||
| Two Riders | Jeff Danna | A Major | 1 | 11B | 53 BPM | ||
| Bodies End Credits | Jon Opstad | D♭ Major | 2 | 3B | 66 BPM | ||
| Steps | August Fenger Janson | A Minor | 2 | 8A | 65 BPM | ||
| Princesa | Oskar Schuster | E Minor | 1 | 9A | 114 BPM | ||
| Coming Home | Volker Bertelmann | G Major | 2 | 9B | 111 BPM | ||
| The Reunion | Trevor Kowalski | A♭ Major | 1 | 4B | 138 BPM | ||
| Recovery | Erwann Kermorvant | G Minor | 0 | 6A | 76 BPM | ||
| Gnossienne no. 3 | Romi Kopelman | A Minor | 2 | 8A | 172 BPM | ||
| Over Havet | Halfdan E, Tallinn's Finest Sinfonietta | E Minor | 1 | 9A | 114 BPM |