Lutz Häfner's 'Colombian Taxi Drive' had a release date set for September 16, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 10 in Bar Talk With Bela by Lutz Häfner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Colombian Taxi Drive is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Colombian Taxi Drive by Lutz Häfner is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Freewheeling | Gathering in Jazz | A♭ Major | 3 | 4B | 79 BPM | ||
| Thirty Three And A Third | Jim Pearce | G Minor | 6 | 6A | 107 BPM | ||
| Jimbo | Mathias Ruppnig, Roland Hanslmeier, Musina Ebobissé, Joander Cruz, Tony Tixier, Lorenz Heigenhuber | B♭ Minor | 5 | 3A | 90 BPM | ||
| The Boulevard of Broken Dreams | John Pizzarelli | G Major | 4 | 9B | 108 BPM | ||
| Liebish | Matthew McDonald | D♭ Major | 6 | 3B | 138 BPM | ||
| Sepia Mood | Lutz Häfner | G Major | 1 | 9B | 105 BPM | ||
| Opus qui pique | Denis Burell Trio | F Major | 7 | 7B | 119 BPM | ||
| Cushioned | Jazzton | E♭ Major | 0 | 5B | 102 BPM | ||
| Beloving | Trio X of Sweden | C Minor | 4 | 5A | 128 BPM | ||
| Our Folk | João Paulo Esteves da Silva, Julián Argüelles, Rodrigo Correia, José Salgueiro | E♭ Major | 0 | 5B | 105 BPM | ||
| Vertiginous Maker | Matthew Hawke | D♭ Major | 3 | 3B | 143 BPM | ||
| Half Said Goodbye | Sky Bar Session | C Minor | 4 | 5A | 170 BPM | ||
| The Quest | Lutz Häfner, Joey Calderazzo, Mike Richmond, Billy Hart | B♭ Minor | 6 | 3A | 139 BPM | ||
| Kärlekens tid | Trio X of Sweden | C Minor | 4 | 5A | 128 BPM | ||
| アイム・ア・フール・トゥ・ウォント・ユー (ライヴ) | Sadao Watanabe | G Minor | 1 | 6A | 116 BPM | ||
| Fallen Reign | Orión Natera | F Minor | 2 | 4A | 107 BPM | ||
| Fulfillment | Orión Natera | D Major | 5 | 10B | 135 BPM | ||
| Matchstick Moments | Frank Miller Jazz Band | G Major | 4 | 9B | 108 BPM | ||
| The Winner Takes It All | Hans Ulrik | G Major | 4 | 9B | 108 BPM | ||
| 317 East 32nd Street | Lutz Häfner | G Major | 5 | 9B | 148 BPM | ||
| Pine Steps Collective | Flow Tone | C Minor | 3 | 5A | 110 BPM | ||
| Warm Thoughts | The Freebees | G Major | 4 | 9B | 108 BPM | ||
| Hushed Jazz Tales | Jazz Cafè | B♭ Minor | 5 | 3A | 157 BPM | ||
| Changes | Lutz Häfner, Rainer Böhm | F♯ Major | 1 | 2B | 102 BPM | ||
| Amber Hour | The Velvet Brewers | G Major | 4 | 9B | 108 BPM |