Pyotr Ilyich Tchaikovsky, Raphaela Gromes, Gabriella Victoria, Julian Riem's 'Tchaikovsky Swan Lake Variation (from Op. 20a, Scene 1, Arr. for Cello, Harp & Piano by Julian Riem)' had a release date set for April 25, 2025. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Tchaikovsky Swan Lake Variation (from Op. 20a, Scene 1, Arr. for Cello, Harp & Piano by Julian Riem)'s duration is considered a little bit shorter than the average duration of a typical track. Since Tchaikovsky Swan Lake Variation (from Op. 20a, Scene 1, Arr. for Cello, Harp & Piano by Julian Riem) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. In terms of popularity, Tchaikovsky Swan Lake Variation (from Op. 20a, Scene 1, Arr. for Cello, Harp & Piano by Julian Riem) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky Swan Lake Variation (from Op. 20a, Scene 1, Arr. for Cello, Harp & Piano by Julian Riem) by Pyotr Ilyich Tchaikovsky, Raphaela Gromes, Gabriella Victoria, Julian Riem having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Schubert: 4 Impromptus, Op. Posth. 142, D. 935: No. 3 in B-Flat Major: Thema | Franz Schubert, Eric Lu | E♭ Major | 1 | 5B | 74 BPM | ||
| Holberg Suite, Op. 40: I. Präludium | Edvard Grieg, Ivana Gavrić | G Major | 2 | 9B | 74 BPM | ||
| 6 Deutsche Lieder, Op. 14 (Arr. for Double Bass and Piano by Lorraine Campet): No. 1, O sehntest du dich so nach mir | Josephine Lang, Lorraine Campet, Nathanaël Gouin | D Major | 0 | 10B | 90 BPM | ||
| Troubled Water | Margaret Bonds, Jeneba Kanneh-Mason | C Major | 1 | 8B | 127 BPM | ||
| Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | ||
| Valse mélancolique | Vladimir Rebikov, Gabriele Bagnati | F Major | 0 | 7B | 173 BPM | ||
| Rusalka, Op. 114, Act I: Song to the Moon | Antonín Dvořák, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | D Minor | 1 | 7A | 109 BPM | ||
| Caprice viennois, Op. 2 (Arr. Fougeray for Violin and Guitar): II. Andante con moto | Fritz Kreisler, María Dueñas, Raphaël Feuillâtre | E Major | 1 | 12B | 109 BPM | ||
| Anemos | Olivia Belli, Chris Worsey | G Minor | 0 | 6A | 85 BPM | ||
| Air Variation (After Orchestral Suite No. 3, BWV 1068: II. Air) [Arr. for Violin & String Quintet by Tim Allhoff] | Johann Sebastian Bach, Tim Allhoff, Eldbjørg Hemsing, Norwegian String Quintet | D Major | 3 | 10B | 87 BPM | ||
| Étude No. 111 in G Minor | Hélène de Montgeroult, Pierpaola Porqueddu | A♭ Major | 3 | 4B | 104 BPM | ||
| Dvořák: 8 Humoresques, Op. 101, B. 187: No. 7, Poco lento e grazioso (Arr. Kreisler for Cello and Piano) | Antonín Dvořák, Edgar Moreau, David Kadouch | F♯ Major | 0 | 2B | 77 BPM | ||
| Prayer for the Ukraine (Arr. for Cello and Orchestra by Julian Riem) | Valentin Silvestrov, Raphaela Gromes, Ukraine National Symphony Orchestra, Volodymyr Sirenko | D♭ Major | 3 | 3B | 116 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Concerto for Clarinet and Orchestra No. 3 in F Major "Il Mezzetino": III. Andante | Antonio Vivaldi, Martin Fröst, Concerto Köln | E Minor | 0 | 9A | 119 BPM | ||
| Life Cycle | Oliver Davis, Royal Philharmonic Orchestra, Julian Kershaw, Benjamin Baker | E♭ Major | 0 | 5B | 74 BPM | ||
| Mortal | Oliver Davis, Huw Watkins, Royal Philharmonic Orchestra, Julian Kershaw, Kerenza Peacock | E♭ Major | 0 | 5B | 74 BPM | ||
| Deux pièces pour piano: No. 2, Sérénade, VWV 3015 | Pauline Viardot, Pierpaola Porqueddu | F Major | 1 | 7B | 67 BPM | ||
| 24 Preludes: No. 8. in F-Sharp Minor - Andante tempo di Barcarolle | Akio Yashiro, Mao Fujita | F♯ Minor | 0 | 11A | 64 BPM | ||
| Satie: Mélodie (Version pour piano seul) | Erik Satie, Alexandre Tharaud | B Minor | 0 | 10A | 111 BPM | ||
| Offenbach: Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Version for Two Trumpets & Orchestra) | Jacques Offenbach, Lucienne Renaudin Vary, Erik Truffaz, Roberto Rizzi Brignoli, Orchestre National de Lille | D Major | 1 | 10B | 84 BPM | ||
| Una furtiva lagrima. Romance de "L'elisir d'amore" de Donizetti | Alexandre Batta, Gaetano Donizetti, Sol Gabetta, Irina Zahharenkova | D Major | 5 | 10B | 76 BPM | ||
| Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Bomsori, Bamberger Symphoniker, Jakub Hrůša | G Major | 1 | 9B | 95 BPM | ||
| Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Nicola Benedetti, Aurora Orchestra, Nicholas Collon | D Major | 1 | 10B | 127 BPM |