Lata Mangeshkar's ' "Badal To Aaye" was released on its scheduled release date, December 31, 1978. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 4 in Dillagi by Rajesh Roshan, Yogesh. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Badal To Aaye's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Badal To Aaye by Lata Mangeshkar is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tujhe Yaad Na Meri Aayee | Jatin-Lalit, Udit Narayan, Manpreet Akhtar | D Major | 6 | 10B | 155 BPM | ||
| Saanj Dhale Gagan Tale Hum Kitane Ekaki | Laxmikant–Pyarelal, Suresh Wadkar | B Major | 6 | 1B | 128 BPM | ||
| Kai Din Se Mujhe | Hemlata, Shailendra Singh, Ravindra Jain | G Minor | 5 | 6A | 72 BPM | ||
| Tadbeer Se Bigdi Huyi Taqdeer | Geeta Dutt | A♭ Minor | 3 | 1A | 123 BPM | ||
| Woh Kehte Hain Ham Se (From "Dariya Dil") | Nitin Mukesh | B Minor | 7 | 10A | 105 BPM | ||
| Dil Hai Ki Manta Nahin (From "Dil Hai Ke Manta Nahin") | Anuradha Paudwal, Kumar Sanu | A♭ Major | 5 | 4B | 118 BPM | ||
| Aap Ki Ankhon Mein Kuch (From "Ghar") | Kishore Kumar, Lata Mangeshkar | E♭ Major | 6 | 5B | 100 BPM | ||
| Jaisi Karni Waisi Bharni (From "Jaisi Karni Waisi Bharni") | Nitin Mukesh | F Minor | 7 | 4A | 158 BPM | ||
| Commentary Tabussum And Ho Pardesia - Mrnatwarlal | Tabassum, Kishore Kumar, Lata Mangeshkar, Rajesh Roshan | A♭ Major | 7 | 4B | 66 BPM | ||
| Suhana Safar Aur Yeh Mausam | Mukesh | G Minor | 3 | 6A | 151 BPM | ||
| Huzur Is Kadar | Bhupinder Singh, Suresh Wadkar, R. D. Burman | G Minor | 6 | 6A | 120 BPM | ||
| Har Kisiko Nahin Milta Yahan Pyar - Janbaaz / Soundtrack Version | Manhar, Sadhana Sargam | A Major | 7 | 11B | 105 BPM | ||
| Yeh Raat Yeh Chand | Hemant Kumar, Lata Mangeshkar, S. D. Burman | D Major | 2 | 10B | 91 BPM | ||
| Yaar Bina Chain Kanha Ray | Bappi Lahiri, S. Janaki | E Major | 5 | 12B | 131 BPM | ||
| Laga Chunari Men Daag | Manna Dey | E♭ Major | 6 | 5B | 90 BPM | ||
| Aana Jana (Part II) - From "Geraftaar" | Bappi Lahiri | E Major | 8 | 12B | 90 BPM | ||
| Nanhi Kali Sone Chali, From ''Sujata'' | Geeta Dutt | E Minor | 9 | 9A | 171 BPM | ||
| Na Moonh Chhupa Ke Jiyo | Mahendra Kapoor | F Major | 5 | 7B | 135 BPM | ||
| Aap Aaye To | Mahendra Kapoor, Sahir Ludhianvi | E♭ Minor | 3 | 2A | 104 BPM | ||
| Mere Piya Gaye Rangoon | Shamshad Begum, C. Ramchandra | D Major | 7 | 10B | 143 BPM | ||
| Babul Jo Tum Ne Sikhaya | Sharda Sinha | A Minor | 8 | 8A | 110 BPM | ||
| Bholi Si Surat | Uttam Singh, Lata Mangeshkar, Udit Narayan, Anand Bakshi | F Major | 7 | 7B | 87 BPM | ||
| Chand Si Mehbooba Ho Meri | Mukesh | F Major | 3 | 7B | 88 BPM | ||
| Khuda Kare Ke Mohabbat Mein | Pankaj Udhas | B Minor | 6 | 10A | 88 BPM | ||
| Sanchi Kahe Toe Aavan Se | Jaspal Singh | A♭ Major | 7 | 4B | 104 BPM |