Marianne Faithfull's ' "Why Did We Have To Part" was released on its scheduled release date, March 4, 2011. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Marianne Faithfull's "Horses and High Heels" album is number 2 out of 14. On top of that, France appears to be the country where this track was created. Why Did We Have To Part is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Why Did We Have To Part by Marianne Faithfull to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Better Move On | Mink DeVille | F Major | 4 | 7B | 115 BPM | ||
| Working Class Hero | Marianne Faithfull | F Major | 2 | 7B | 110 BPM | ||
| Where Do You Go To (My Lovely) - Re-Recorded | Peter Sarstedt | D Minor | 4 | 7A | 183 BPM | ||
| Song to the Siren - Take 7 | Tim Buckley | E Major | 1 | 12B | 68 BPM | ||
| Bird On the Wire | Tim Hardin | G Major | 3 | 9B | 126 BPM | ||
| Ancient Rain | Mary Coughlan | G Major | 3 | 9B | 178 BPM | ||
| 500 Miles | Sonny & Cher | A Major | 5 | 11B | 102 BPM | ||
| Meet On The Ledge | Fairport Convention | D Major | 3 | 10B | 70 BPM | ||
| Shiloh Town | Tim Hardin | G Major | 5 | 9B | 84 BPM | ||
| Everybody Knows | Leonard Cohen | D♭ Minor | 5 | 12A | 104 BPM | ||
| Sandrevan Lullaby - Lifestyles | Rodríguez | D Minor | 5 | 7A | 144 BPM | ||
| Sebastian - 2012 Remaster | Steve Harley & Cockney Rebel | B Minor | 2 | 10A | 140 BPM | ||
| Shipbuilding | Elvis Costello & The Attractions | G Major | 3 | 9B | 143 BPM | ||
| Peace of Iona | The Waterboys | G Major | 2 | 9B | 75 BPM | ||
| Buried Bones | Tindersticks, Ann Magnuson | D Major | 4 | 10B | 118 BPM | ||
| What Do You Want Me to Do | Mike Scott | G Major | 7 | 9B | 139 BPM | ||
| Bird On A Wire | Perla Batalla | A Major | 2 | 11B | 121 BPM | ||
| American Tune | Paul Simon | C Major | 2 | 8B | 85 BPM | ||
| Down To Zero | Joan Armatrading | B♭ Major | 3 | 6B | 150 BPM | ||
| The ballad of the soldiers wife | Kurt Weill, Marianne Faithfull, Vienna Radio Symphony Orchestra | A♭ Major | 3 | 4B | 114 BPM | ||
| Homeward Bound | Simon & Garfunkel | E♭ Major | 4 | 5B | 93 BPM | ||
| Strange Boat - 2006 Remaster | The Waterboys | C Major | 7 | 8B | 106 BPM | ||
| Last Day of Our Acquaintance | Sinéad O'Connor | E♭ Major | 2 | 5B | 83 BPM | ||
| Like Being Born (feat. Beck) | Marianne Faithfull, Beck | D Minor | 5 | 7A | 102 BPM | ||
| Cod'ine | Buffy Sainte-Marie | A♭ Major | 2 | 4B | 141 BPM |