"String Theory" by Philip Sheppard had its release date on May 23, 2018. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. String Theory's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philip Sheppard's "Moon Machines Vol. 1" album is number 4 out of 20. On top of that, United Kingdom appears to be the country where this track was created. The popularity of String Theory is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Theory by Philip Sheppard to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Revenant Main Theme | Ryuichi Sakamoto | A Major | 2 | 11B | 73 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Leonard Bernstein, New York Philharmonic | B♭ Minor | 1 | 3A | 88 BPM | ||
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| Philip | Martin Phipps | A Minor | 1 | 8A | 65 BPM | ||
| Calibre | Anne Nikitin | B♭ Major | 2 | 6B | 74 BPM | ||
| Prawnkus | Clinton Shorter | A♭ Major | 1 | 4B | 130 BPM | ||
| I Want To Go Out | Atli Örvarsson | A♭ Major | 1 | 4B | 74 BPM | ||
| The Long Dark | Scott Buckley | B♭ Minor | 1 | 3A | 130 BPM | ||
| Bloodfest (From Mizumono) | Brian Reitzell | D Major | 1 | 10B | 78 BPM | ||
| Blind Spots | Dan Romer | F Minor | 1 | 4A | 88 BPM | ||
| Devestation | Johan Söderqvist, Patrik Andrén | D Minor | 1 | 7A | 51 BPM | ||
| Journey To Dignitas | Craig Armstrong | C Minor | 1 | 5A | 64 BPM | ||
| Chosen Road Alone | Philip Sheppard | C Minor | 1 | 5A | 114 BPM | ||
| Church Dream | Ryuichi Sakamoto, alva noto | E Minor | 3 | 9A | 87 BPM | ||
| Silver Linings | Hendyamps Studios, Aimee Norris | F Major | 2 | 7B | 78 BPM | ||
| By Firelight - Kara | Philip Sheppard | B♭ Major | 4 | 6B | 147 BPM | ||
| Brotherhood - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | C Minor | 1 | 5A | 83 BPM | ||
| The Stars We Follow | Federico Albanese | A Minor | 1 | 8A | 125 BPM | ||
| November | Max Richter, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | C Major | 4 | 8B | 120 BPM | ||
| The Earth Spins | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| White Flowers Take Their Bath | Meredi, Mari Samuelsen, Scoring Berlin, Jonathan Stockhammer | A Major | 1 | 11B | 97 BPM | ||
| Service and Sacrifice | Jeremy Tai | B♭ Minor | 2 | 3A | 168 BPM | ||
| Blueprint | James Heather | C Minor | 0 | 5A | 70 BPM | ||
| Born from Ashes | Eternal Eclipse | D Minor | 3 | 7A | 116 BPM | ||
| The Mountain Call | Amine Bouhafa | F Minor | 1 | 4A | 94 BPM |