On January 1, 1991, the song "Head Rag" was released by Albert Collins. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Albert Collins's "Iceman" album is number 7 out of 10. Head Rag is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Head Rag by Albert Collins to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Conversation with Collins | Albert Collins | A Minor | 2 | 8A | 146 BPM | ||
| Can't You See What You're Doing to Me | Ana Popovic | B Minor | 10 | 10A | 122 BPM | ||
| Get Together Or Get Apart | Toronzo Cannon | D Major | 9 | 10B | 124 BPM | ||
| Unlovable | Toronzo Cannon | A♭ Major | 9 | 4B | 146 BPM | ||
| Got Me Where You Want Me | W.C. Clark | B♭ Major | 9 | 6B | 126 BPM | ||
| A Little Less Conversation | Guitar Shorty | B Minor | 8 | 10A | 99 BPM | ||
| It's All Blues | Debbie Davies | A Major | 5 | 11B | 127 BPM | ||
| A Woman Or The Blues | Curtis Salgado | G Minor | 9 | 6A | 91 BPM | ||
| Purple Heart Blues | Frankie V and the Lonely Club | C Major | 8 | 8B | 111 BPM | ||
| Don't Cha Know | Jimmie Vaughan | C Minor | 7 | 5A | 128 BPM | ||
| Blowin' The Family Jewels | William Clarke | D Major | 9 | 10B | 97 BPM | ||
| The Miller's Son | Robben Ford & The Blue Line | B♭ Major | 10 | 6B | 196 BPM | ||
| They Call Me Mud | Mud Morganfield | C Major | 6 | 8B | 97 BPM | ||
| Come Back Baby | John Primer | A Major | 5 | 11B | 140 BPM | ||
| Sad Blue Eyes | Corey Stevens | D♭ Major | 5 | 3B | 104 BPM | ||
| Great Minds Drink Alike - With Horns | Altered Five Blues Band | B♭ Minor | 6 | 3A | 105 BPM | ||
| Movin' On | Joe Louis Walker | E Minor | 9 | 9A | 198 BPM | ||
| Part Time Love | Texas Bluesmen, Robert Ealey | F Major | 4 | 7B | 109 BPM | ||
| Poor No More | Adam Wakefield | E♭ Major | 6 | 5B | 178 BPM | ||
| Looking To The Future | William Clarke | A Major | 6 | 11B | 145 BPM | ||
| Cold Sweat | Boneshakers | D Major | 7 | 10B | 121 BPM | ||
| Blues Makes Me Feel So Good | Albert Cummings, Tommy Shannon | D♭ Major | 9 | 3B | 122 BPM | ||
| Same Ole Feeling | Bernard Allison | E Minor | 7 | 9A | 97 BPM | ||
| Greasy Man | Lonnie Brooks | F Major | 4 | 7B | 81 BPM | ||
| Whiskey Flavored Tears | Lil Ed & The Blues Imperials | D Major | 8 | 10B | 112 BPM |