"Speaking English" by Russell Peters had its release date on August 28, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Outsourced (U.S. Version)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Speaking English is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Speaking English by Russell Peters having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Macci Cacca | Louie Anderson | A Minor | 10 | 8A | 126 BPM | ||
| Under Armor and Washing a Van | Kevin James | F Major | 9 | 7B | 73 BPM | ||
| Clarence Thomas and Anal | Jim Norton | B Major | 5 | 1B | 96 BPM | ||
| Focus | Rob Schneider | F Minor | 10 | 4A | 82 BPM | ||
| It's Over for White People | Chris Distefano | B Minor | 7 | 10A | 112 BPM | ||
| Airport Announcements | Arsenio Hall | F Minor | 5 | 4A | 169 BPM | ||
| The Social Worker | Ian Bagg | F Major | 9 | 7B | 54 BPM | ||
| Walking Into A Buzzsaw | Sam Tallent | F♯ Major | 7 | 2B | 99 BPM | ||
| It's Our Fault | Russell Peters | F Minor | 6 | 4A | 85 BPM | ||
| Dating Games | National Lampoon, Bert Kreischer | A♭ Major | 3 | 4B | 138 BPM | ||
| Everybody Gets a Bear | Dale Jones | D Major | 8 | 10B | 113 BPM | ||
| How To Fix Racism | Cliff Cash | E♭ Minor | 6 | 2A | 79 BPM | ||
| Captain Billy | Marc Maron | D Major | 8 | 10B | 86 BPM | ||
| Cheeseburger | Andrew Santino | E Major | 6 | 12B | 117 BPM | ||
| Booty Call | Ralph Barbosa | A Major | 4 | 11B | 82 BPM | ||
| Karen & Chad | Chad Daniels | E Minor | 8 | 9A | 52 BPM | ||
| Jury Duty | Dale Jones | E Major | 7 | 12B | 116 BPM | ||
| Expecting | Aaron Weber | E Major | 9 | 12B | 110 BPM | ||
| Millennial Civil War | John Crist | E Major | 9 | 12B | 110 BPM | ||
| The Poor Man's Tart | Gary Gulman | A Major | 7 | 11B | 88 BPM | ||
| Crime Fighting Cobblers | Dara O Briain | D Major | 8 | 10B | 90 BPM | ||
| Sea Levels Are Rising But Not Credit Scores | Dave Weasel | F♯ Minor | 6 | 11A | 76 BPM | ||
| Sex Party Invite | Roy Wood Jr | G Major | 5 | 9B | 100 BPM | ||
| Close Up Magic | Gary Gulman | D Major | 8 | 10B | 86 BPM | ||
| WAR DAD | Jim Breuer | B♭ Minor | 7 | 3A | 82 BPM |