"Sawrey" by Dominic Lewis had its release date on April 13, 2018. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Peter Rabbit (Original Motion Picture Score)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Based on our statistics, Sawrey's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sawrey by Dominic Lewis having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fake News | Christopher Lennertz | B♭ Minor | 6 | 3A | 170 BPM | ||
| Deceit | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Hypertrophic | Thomas Newman | A Major | 2 | 11B | 108 BPM | ||
| We Will Rock You VonLichten | Queen, VonLichten | D♭ Minor | 5 | 12A | 82 BPM | ||
| The Rift | David Fleming | D Major | 7 | 10B | 86 BPM | ||
| Accepting What We Can't Accept | Chanda Dancy | G Minor | 1 | 6A | 85 BPM | ||
| Vengeance (Lyrical Mix) | Zack Hemsey | A♭ Major | 4 | 4B | 80 BPM | ||
| Reality Dawns | Nicholas Harvey | A♭ Major | 4 | 4B | 177 BPM | ||
| What If...End Credits | Laura Karpman, Nora Kroll-Rosenbaum | F Major | 5 | 7B | 93 BPM | ||
| Warhawk | Kevin Graham | F Minor | 2 | 4A | 68 BPM | ||
| Oxfords, Not Rogues | Matthew Margeson, Dominic Lewis | F Major | 2 | 7B | 79 BPM | ||
| Toilet Talk | Dominic Lewis | G Minor | 3 | 6A | 90 BPM | ||
| Visions | James Newton Howard | E Minor | 1 | 9A | 119 BPM | ||
| Ascension | Natalie Holt | F Minor | 5 | 4A | 138 BPM | ||
| Knives Out!, Pt. II (The Will) | Nathan Johnson | G Major | 3 | 9B | 113 BPM | ||
| The Case Of Angela Hughes | Thomas Newman | B♭ Major | 0 | 6B | 83 BPM | ||
| Call for the Ambassador | Marcelo Zarvos | C Minor | 2 | 5A | 144 BPM | ||
| Marionette | Alexis Grapsas | F♯ Major | 0 | 2B | 90 BPM | ||
| Ending Titles | Heiko Maile | B♭ Major | 3 | 6B | 129 BPM | ||
| Bryce Manor | Nathan Klein, F. Keane | F Minor | 3 | 4A | 139 BPM | ||
| Stairs Arrival | Tyler Bates, Joel J. Richard | F Major | 6 | 7B | 180 BPM | ||
| Answers or Blood | Ruth Barrett | B♭ Major | 4 | 6B | 120 BPM | ||
| The Press Conference | Carlos Rafael Rivera | C Minor | 3 | 5A | 120 BPM | ||
| The Onslaught | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Brief Interviews with Fastidious Friends | Michael Giacchino | A Major | 3 | 11B | 72 BPM |