"Coulda Woulda Shoulda - Live" by Judith Durham had its release date on January 1, 2014. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Coulda Woulda Shoulda - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Judith Durham's "Live In London" album is number 16 out of 26. On top of that, Australia appears to be the country where this track was created. Based on our statistics, Coulda Woulda Shoulda - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Coulda Woulda Shoulda - Live by Judith Durham to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When I Grow Too Old to Dream | Ruby Murray | B♭ Major | 1 | 6B | 78 BPM | ||
| Kumbaya | Judith Durham | B Minor | 1 | 10A | 100 BPM | ||
| My Last Farewell | Barleycorn | A Major | 2 | 11B | 104 BPM | ||
| Young Love | Stella Parton | G Major | 5 | 9B | 130 BPM | ||
| A Scottish Soldier | Andy Stewart | E♭ Major | 2 | 5B | 177 BPM | ||
| Angel | Yulia, Sarah Ann McLauchlan | E Major | 2 | 12B | 106 BPM | ||
| Scottish Trilogy: Loch Lomond / Skye Boat Song / Auld Lang Syne | Lena Martell | A Major | 3 | 11B | 130 BPM | ||
| Over the Rainbow (Single Version) | Billy Thorpe & The Aztecs | A♭ Major | 8 | 4B | 138 BPM | ||
| Danny Boy | Brendan Bowyer | E Major | 1 | 12B | 78 BPM | ||
| Seven Bridges Road | Judith Durham | G Major | 4 | 9B | 142 BPM | ||
| If Those Lips Could Only Speak | Hugo Duncan | C Major | 4 | 8B | 175 BPM | ||
| Nobody's Child | Karen Young | D Major | 0 | 10B | 73 BPM | ||
| Send Me The Pillow That You Dream On | Peters & Lee | D Major | 2 | 10B | 112 BPM | ||
| He Will Remember Me | Judith Durham, Ron Edgeworth | A♭ Major | 5 | 4B | 140 BPM | ||
| Nobody's Child | Sydney Devine | B Major | 5 | 1B | 115 BPM | ||
| The Last Thing on My Mind | Liam Clancy, Tom Paxton | A♭ Major | 4 | 4B | 150 BPM | ||
| Girl | Christardton | G Major | 1 | 9B | 114 BPM | ||
| The Carnival Is Over | Ann Breen | D Major | 2 | 10B | 75 BPM | ||
| It's Not Easy | Normie Rowe & The Playboys | E♭ Major | 5 | 5B | 88 BPM | ||
| Bonnie Please Don't Go (She's Leavin') | Kevin Johnson | E Major | 8 | 12B | 105 BPM | ||
| Who Needs It | Gene Pitney | A Major | 8 | 11B | 84 BPM | ||
| Mockingbird | Johnny O'Keefe | F♯ Major | 9 | 2B | 116 BPM | ||
| Looking for an Echo | Ol' 55 | A Minor | 3 | 8A | 106 BPM | ||
| Climb Ev'ry Mountain | Shirley Bassey | E Major | 3 | 12B | 134 BPM | ||
| (When You Come To The End Of) A Perfect Day | Judith Durham | D Major | 3 | 10B | 77 BPM |