Mayday Parade's '12 Through 15' had a release date set for October 8, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mayday Parade's "Monsters In The Closet" album is number 4 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, 12 Through 15 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 12 Through 15 by Mayday Parade to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The First One | BOYS LIKE GIRLS | D Major | 9 | 10B | 112 BPM | ||
| One Of THOSE Nights | The Cab | A♭ Minor | 9 | 1A | 106 BPM | ||
| Skipping Stone | Transit | D Minor | 7 | 7A | 175 BPM | ||
| Hollywood | Cute Is What We Aim For | A♭ Minor | 9 | 1A | 150 BPM | ||
| I'd Rather Make Mistakes Than Nothing at All | Mayday Parade | D Major | 9 | 10B | 84 BPM | ||
| Passing Through A Screen Door | The Wonder Years | A♭ Major | 9 | 4B | 111 BPM | ||
| Dreamer - Acoustic | I The Mighty | F♯ Minor | 7 | 11A | 162 BPM | ||
| Scene Five - With Ears To See and Eyes To Hear | Sleeping With Sirens | D♭ Minor | 6 | 12A | 77 BPM | ||
| Summer Stained | Broadside | F♯ Major | 8 | 2B | 118 BPM | ||
| So Contagious | Acceptance | D♭ Major | 7 | 3B | 178 BPM | ||
| Hold My Hand | New Found Glory | B Major | 9 | 1B | 115 BPM | ||
| Our Song | The Spill Canvas | C Major | 10 | 8B | 140 BPM | ||
| Runnin' Scared | Aaron West and The Roaring Twenties | E Major | 9 | 12B | 108 BPM | ||
| A Better Way | Broadside | D♭ Major | 9 | 3B | 95 BPM | ||
| Ten | Yellowcard | G Major | 6 | 9B | 127 BPM | ||
| Take It Back | This Wild Life | G Major | 5 | 9B | 113 BPM | ||
| Evergreen | Knuckle Puck | A♭ Major | 10 | 4B | 170 BPM | ||
| Priceless | Mayday Parade | B♭ Major | 9 | 6B | 83 BPM | ||
| Three Cheers For Five Years | Mayday Parade | B Major | 5 | 1B | 69 BPM | ||
| Nineteen | Movements | D Minor | 8 | 7A | 146 BPM | ||
| Come What May | The Scene Aesthetic | D♭ Major | 5 | 3B | 79 BPM | ||
| Fragile Figures | Secrets | F Major | 3 | 7B | 135 BPM | ||
| If You Wanted A Song Written About You, All You Had To Do Was Ask | Mayday Parade | D Major | 7 | 10B | 100 BPM | ||
| A Wonderful Surprise | The Downtown Fiction | D♭ Major | 9 | 3B | 126 BPM | ||
| Sand in Your Shoes - Acoustic | This Providence | D Major | 4 | 10B | 102 BPM |