On January 9, 1932, the song "Coquette" was released by Paul Whiteman. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Coquette's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "New Orleans & California". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. The popularity of Coquette is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Coquette by Paul Whiteman having a BPM of 210 with a half-time of 105 BPM and a double-time of 420 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Three O'Clock In The Morning | Paul Whiteman | A Major | 1 | 11B | 132 BPM | ||
| Happy Feet (from: "King Of Jazz") | Jack Hylton, Jack Hylton Orchestra | C Minor | 5 | 5A | 111 BPM | ||
| Carolina in the Morning | Van & Schenck | G Major | 3 | 9B | 100 BPM | ||
| Coffee in the Morning (And Kisses in the Night) | Lew Stone | A♭ Major | 2 | 4B | 108 BPM | ||
| Sing You Sinners | Fletcher Henderson | D♭ Major | 5 | 3B | 94 BPM | ||
| Sweet Sue, Just You: Sweet Sue - Just You | Victor Young, Will J. Harris, Jack Fulton, Paul Whiteman Concert Orchestra, Paul Whiteman | A♭ Major | 2 | 4B | 182 BPM | ||
| Last Night I Dreamed You Kissed Me | Paul Whiteman | E♭ Major | 2 | 5B | 76 BPM | ||
| The Camera Doesn`t Lie | Buddy Clark | E♭ Major | 2 | 5B | 92 BPM | ||
| When Eyes Af Blue Are Foolin' You | Howard Lanin Orchestra | D♭ Major | 1 | 3B | 119 BPM | ||
| Oh, Baby! | Hal Kemp And His Orchestra | A♭ Major | 2 | 4B | 176 BPM | ||
| I Sustain The Wings (Theme) - 1944 Recording | Glenn Miller & AAFTCO | B♭ Major | 2 | 6B | 99 BPM | ||
| One, Two, Button Your Shoe | Jack Hylton | C Minor | 2 | 5A | 93 BPM | ||
| Whispering | Paul Whiteman | D Major | 3 | 10B | 99 BPM | ||
| It Won't Be Long Now | Century Jukebox, Paul Whiteman, Public Domain | B♭ Major | 0 | 6B | 75 BPM | ||
| Varsity Drag | Abe Lyman's California Orchestra | A♭ Major | 4 | 4B | 120 BPM | ||
| I Ain't Gonna Give Nobody None O' This Jelly Roll | Emmett Miller | F Major | 3 | 7B | 202 BPM | ||
| I'm Gonna Charleston Back to Charleston | The Original Coon-Sanders Nighthawk Orchestra | D Major | 3 | 10B | 215 BPM | ||
| Basin Street Blues | Connee Boswell | E♭ Major | 1 | 5B | 103 BPM | ||
| At Last I'm Happy | Red Nichols and His Big Ten | E♭ Major | 3 | 5B | 110 BPM | ||
| Uptown Blues | Jimmie Lunceford | C Major | 3 | 8B | 90 BPM | ||
| Toot, Toot, Tootsie (Goodbye) | Fanny Brice | A Major | 5 | 11B | 124 BPM | ||
| I Double Dare You | Larry Clinton & His Orchestra | E Minor | 2 | 9A | 201 BPM | ||
| I Don't Want To Lose You | Paul Whiteman | B Minor | 4 | 10A | 136 BPM | ||
| And I Still Do | Ina Ray Hutton and Her Melodears | F Major | 4 | 7B | 211 BPM | ||
| Jersey Bounce | Ozzie Nelson & His Orchestra | C Minor | 5 | 5A | 174 BPM |