Martin Simpson's 'Thomas Drew' had a release date set for September 1, 2017. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Trails & Tribulations". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Thomas Drew is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Thomas Drew by Martin Simpson having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The May Morning Dew | Dervish, Rhiannon Giddens | D Minor | 3 | 7A | 108 BPM | ||
| Midnight in Dublin | The John Byrne Band | C Major | 4 | 8B | 186 BPM | ||
| Waiting for the Lark | Jackie Oates | D Major | 1 | 10B | 51 BPM | ||
| Mark the Hard Earth - 2014 Remaster | Kris Drever | E Major | 3 | 12B | 110 BPM | ||
| The Disquiet | Salt House | G Major | 2 | 9B | 198 BPM | ||
| Itshardtoseemtobeokwhenyouarenot - Unplugged Version | Lau | A Minor | 3 | 8A | 91 BPM | ||
| May Morning | Waterson:Carthy | E Minor | 3 | 9A | 110 BPM | ||
| Silverline | Josienne Clarke and Ben Walker | C Major | 1 | 8B | 76 BPM | ||
| Katie Cruel | Salt House | D Major | 3 | 10B | 109 BPM | ||
| Reres Hill | Emily Smith | G Major | 4 | 9B | 125 BPM | ||
| Such a Thing as Society | Ewan McLennan, George Monbiot | B Major | 4 | 1B | 137 BPM | ||
| Daire's Dream | Davy Spillane | B Minor | 2 | 10A | 171 BPM | ||
| Half Wild | Kitty Macfarlane | A♭ Major | 3 | 4B | 73 BPM | ||
| Daisy | Karine Polwart | B♭ Major | 4 | 6B | 171 BPM | ||
| Blue Bonnets Over The Border / Khazi | Battlefield Band | B♭ Major | 3 | 6B | 123 BPM | ||
| Rain on the Woodpile / Terminus | Leveret | A Minor | 5 | 8A | 93 BPM | ||
| Anna's Lullaby | Hannah Rarity | D Major | 1 | 10B | 96 BPM | ||
| Fead an Iolar (The Eagle's Whistle) | Adam Agee, Jon Sousa | F Major | 2 | 7B | 138 BPM | ||
| The Boyne Water | Martin Hayes, The Common Ground Ensemble | G Major | 1 | 9B | 73 BPM | ||
| Waterlily | Karine Polwart | E♭ Minor | 4 | 2A | 139 BPM | ||
| The Hills of Longdendale | Jack Rutter | B♭ Major | 4 | 6B | 123 BPM | ||
| Mangersta Beach | Aidan O'Rourke | A Major | 3 | 11B | 100 BPM | ||
| When Rosy May Comes in Wi' Flowers | Tony Cuffe | F Major | 3 | 7B | 108 BPM | ||
| The Island | Ruth Notman, Sam Kelly | F♯ Minor | 5 | 11A | 141 BPM | ||
| Black Muddy Water | Norma Waterson | C Major | 3 | 8B | 80 BPM |