Rekha Rani's ' "Khaini Hum Marad Fal" was released on its scheduled release date, September 5, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Sui Na Lagwaib". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Based on our statistics, Khaini Hum Marad Fal's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Khaini Hum Marad Fal by Rekha Rani having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goriya Bhaili Behaal | Bijli Rani, Rekha Rani | F Minor | 8 | 4A | 119 BPM | ||
| Murga Bechain Bate | Arvind Akela Kallu Ji, Pawan Singh | B♭ Minor | 9 | 3A | 135 BPM | ||
| Are Mere Lulhu Toye Barah Na Bhulu | Usha Shastri | F Minor | 9 | 4A | 112 BPM | ||
| Yaad khub aave hamka khet ke dagariya | Arrjun pandey | C Major | 3 | 8B | 90 BPM | ||
| Tu B Chali Gayi Door Paar Goriye | Dharmej Sondhu, Rekha Rani | F♯ Major | 6 | 2B | 154 BPM | ||
| Meri Raati Diyan Neendran | Darmaiz Sondhu, Rekha Rani | D♭ Minor | 8 | 12A | 82 BPM | ||
| Kabo Chit Kabo Pat | Devanand Deva, Khushboo Uttam | F♯ Major | 10 | 2B | 150 BPM | ||
| Ohi Re Jagahiya | Ram Swaroop Faizabadi, Goldi Yadav | E Minor | 9 | 9A | 125 BPM | ||
| Hayi Dekh Daru Pike | Rekha Rani | D♭ Major | 6 | 3B | 125 BPM | ||
| Ghane Chil Re Chalotu | Dharmej Saundhu, Rekha Rani | A Major | 7 | 11B | 77 BPM | ||
| Nale Nale Fuloria | Darmaiz Sondhu, Rekha Rani | D♭ Minor | 8 | 12A | 82 BPM | ||
| Sound Par Sutake Chaar Round Marle | Awadhesh Premi Yadav | D♭ Major | 10 | 3B | 155 BPM | ||
| Lot Kay Ghot | Indu Sonali, Khesai Lal Yadav, Khushboo Jain | G Minor | 9 | 6A | 76 BPM | ||
| Naya Naya Driver | Samar Singh | F♯ Minor | 10 | 11A | 80 BPM | ||
| A Raja Humke Banaras Ghumadi | Khusbu Raj, Nitesh Nirmal | E Minor | 8 | 9A | 133 BPM | ||
| Gori Tor Chunari | Ritesh Pandey, Antra Singh Priyanka | D♭ Major | 10 | 3B | 150 BPM | ||
| Rudiye Maiye | Mukesh Pattiwala, Rekha Rani | A Major | 7 | 11B | 148 BPM | ||
| Jodi No 1 | Deep Khadrai, Jagdish Sharma | A♭ Minor | 7 | 1A | 177 BPM | ||
| Yadav Ji Ko Saiya Bana Lijiye | Rahul Raj, Puja Mahi | C Major | 5 | 8B | 130 BPM | ||
| Khake Kamla Pasand Saiya Mare Dana Dan - Bhojpuri | Mithlesh Tufani | D♭ Major | 10 | 3B | 120 BPM | ||
| Kale Kale Badla | Darmaiz Sondhu, Rekha Rani | A♭ Major | 9 | 4B | 75 BPM | ||
| Love Ke Tonik | Arvind Akela Kallu Ji | F♯ Major | 9 | 2B | 150 BPM | ||
| Dulha Khojali Pakistani | Khesari Lal Yadav | C Minor | 10 | 5A | 145 BPM | ||
| Banal Rahe | Indu Sonali | F Minor | 9 | 4A | 91 BPM | ||
| Nind Nahi Aati Hai Re | Srishti Bharti | F Minor | 8 | 4A | 82 BPM |