Harry Connick, Jr.'s ' "Won't You Come Home, Bill Bailey?" was released on its scheduled release date, 2006. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists, Buddy Johnson, Glen David Andrews, Harry Connick, Jr.'s "My New Orleans" album is number 2 out of 16. On top of that, United States appears to be the country where this track was created. In terms of popularity, Won't You Come Home, Bill Bailey? is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Won't You Come Home, Bill Bailey? by Harry Connick, Jr. to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swipe That Chord | George Felington | F Minor | 5 | 4A | 100 BPM | ||
| Go Daddy-o | The Swing Cats Big Band | B♭ Major | 5 | 6B | 100 BPM | ||
| Not Sure | Al Hammerman, Brian Owens | F Minor | 4 | 4A | 130 BPM | ||
| Swing Brother Swing | Miss Sophie Lee | A Minor | 4 | 8A | 172 BPM | ||
| No More Sorrow | Silas Oris | F Minor | 5 | 4A | 100 BPM | ||
| What Did You Win | Joe Williams, Count Basie | B♭ Major | 3 | 6B | 133 BPM | ||
| It's A Most Unusual Day | June Christy | G Major | 2 | 9B | 142 BPM | ||
| My Blue Heaven | John Stevens | F Major | 4 | 7B | 122 BPM | ||
| What If I Loved You (From "Return to Me") | Joey Gian, Warren Luening | E Major | 3 | 12B | 139 BPM | ||
| Two-tones | Joe Stilgoe, Tom Farmer, Ben Reynolds, Billy Adamson, Chris Storr, Nichol Thomson, Ben Castle | B♭ Minor | 8 | 3A | 174 BPM | ||
| Jeep Jockey Jump | Bill Elliott Swing Orchestra | A♭ Major | 5 | 4B | 205 BPM | ||
| I Get No Kick From Champagne | Jonny Blu | B♭ Minor | 3 | 3A | 140 BPM | ||
| Rhythm | Casey MacGill & the Spirits of Rhythm | D Major | 7 | 10B | 98 BPM | ||
| Time after Time | Jule Styne, Plácido Domingo, Eugene Kohn, Harry Connick, Jr. | D♭ Major | 3 | 3B | 119 BPM | ||
| Bill Bailey, Won't You Please Come Home | The Cast | C Minor | 4 | 5A | 113 BPM | ||
| My Man Stands Out - Alternate Take | Julia Lee And Her Boyfriends | F Minor | 5 | 4A | 100 BPM | ||
| Try a Little Tenderness | Jimmy Durante | D♭ Major | 2 | 3B | 110 BPM | ||
| Totally | Joe Stilgoe, Tom Farmer, Ben Reynolds, Billy Adamson, James McMillan | A♭ Major | 6 | 4B | 130 BPM | ||
| Dig That Crazy Chick | Sam Butera, The Witnesses | F Minor | 5 | 4A | 100 BPM | ||
| If I Could Sing Like Bing | Dean Martin And Jerry Lewis | D♭ Major | 3 | 3B | 117 BPM | ||
| Valentine, Stay With Me | Jazz Street | F Minor | 5 | 4A | 100 BPM | ||
| Laura | Billy Eckstine | C Major | 1 | 8B | 68 BPM | ||
| Centerpiece | Roberta Gambarini | D♭ Major | 4 | 3B | 120 BPM | ||
| I Let a Song Go out of My Heart | Alice Babs | B♭ Major | 4 | 6B | 120 BPM | ||
| Swingin' At The Savoy | Mitch Woods and His Rocket 88‘S | E Minor | 7 | 9A | 92 BPM |