"Today Is The Day - Today Is The Day (60 sec)" by Dave Sebant-Montefury, Joe Slash, Loki One, Trent Ferman, Lonesome Tom had its release date on March 6, 2017. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 75 in the song's album "Our World In Widescreen 1". In this album, this song's track order is #30. Today Is The Day - Today Is The Day (60 sec) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Today Is The Day - Today Is The Day (60 sec) by Dave Sebant-Montefury, Joe Slash, Loki One, Trent Ferman, Lonesome Tom having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Abyss | Martin Hall | F Major | 2 | 7B | 99 BPM | ||
| Root - chilled | Mili, Yamato Kasai | A Minor | 5 | 8A | 174 BPM | ||
| Andor Season 2 End Credits Music | Jamie Evans Music | A Minor | 4 | 8A | 60 BPM | ||
| Rescue | Johannes Johansson | A Minor | 1 | 8A | 94 BPM | ||
| Universos | Caos Ancestral | A♭ Major | 1 | 4B | 100 BPM | ||
| Into The Dusk | PROJECT ACES, Bandai Namco Game Music | D Minor | 3 | 7A | 82 BPM | ||
| Mas Duro | Eterna Oscuridad | E Major | 1 | 12B | 141 BPM | ||
| Con Las Puertas Abiertas | Los Triunfadores | A Minor | 1 | 8A | 109 BPM | ||
| My Pride | Yuta Bandoh | C Minor | 7 | 5A | 85 BPM | ||
| Fantasy | Behruz Nuriyev, Khan Ro | E♭ Minor | 3 | 2A | 115 BPM | ||
| Dagger One Is Hit / Time To Let Go | Harold Faltermeyer, Lady Gaga, Hans Zimmer, Lorne Balfe | D Major | 4 | 10B | 107 BPM | ||
| A Soul of Sorrow | Taylor Ash, Lindsay Dills | F Major | 3 | 7B | 129 BPM | ||
| The Lions Theme | Steven Price | D♭ Minor | 3 | 12A | 140 BPM | ||
| Every Living Breathing Moment | Grant Steller | F Major | 2 | 7B | 102 BPM | ||
| Samantha's Journey (From “Call of Duty: Black Ops 3 - ps4 theme”) | Brian Tuey | D Minor | 2 | 7A | 119 BPM | ||
| Damned 3 (From “Call of Duty: Black Ops 3”) | Brian Tuey | D Minor | 2 | 7A | 119 BPM | ||
| Main Title - Young Peter | James Horner | G Minor | 1 | 6A | 141 BPM | ||
| Descending | Max Aruj, Alfie Godfrey | G Major | 1 | 9B | 117 BPM | ||
| Jodie's Suite | Lorne Balfe | C Major | 4 | 8B | 123 BPM | ||
| Je te le promets | Yannis Dumoutiers | A Minor | 7 | 8A | 120 BPM | ||
| Personas Equivocadas | Fronteras Lejanas | B Minor | 9 | 10A | 167 BPM | ||
| Looking Back | Joshua Chiong | E Major | 0 | 12B | 74 BPM | ||
| Dragonlord | Erreth-Akbe | D Minor | 7 | 7A | 105 BPM | ||
| What It Means to Be Strong | Gareth Coker | E Major | 6 | 12B | 164 BPM | ||
| Starfire | Scott Buckley | G Major | 3 | 9B | 80 BPM |