On August 9, 2024, the song "Sonate e Partite: No. 66, Presto (Recomposed by Luca Astolfoni Fossi)" was released by Francesco Lecce, Claudio Ferrarini. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 20 in Francesco Lecce: 67 Sonate e Partite, No. 51 - 67. Works for Unaccompanied Violin Recomposed for Solo Flute & Mandolin Concerto in G Major Recomposed for solo flute by Luca Astolfoni Fossi, Book III by Francesco Lecce, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Sonate e Partite: No. 66, Presto (Recomposed by Luca Astolfoni Fossi) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate e Partite: No. 66, Presto (Recomposed by Luca Astolfoni Fossi) by Francesco Lecce, Claudio Ferrarini is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
| Handel: Theodora, HWV 68: Overture | George Frideric Handel, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 1 | 3B | 98 BPM | ||
| Viola da Gamba Concerto in A Major: I. A tempo guisto | Johann Pfeiffer, Siegfried Pank, Stephan Mai, Dorte Wetzel, Christine Schornsheim, Akademie für Alte Musik Berlin | E♭ Major | 0 | 5B | 97 BPM | ||
| Il trionfo della divina Giustizia ne' tormente e morte di Gesù Cristo: Ouverture | Nicola Porpora, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | D♭ Minor | 2 | 12A | 104 BPM | ||
| Concerto a cinque No. 11, Op. 9: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 3 | 11B | 125 BPM | ||
| Preludio in fantasia | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
| Hasse: Serpentes ignei in deserto: Introduzione: II. Fugue | Johann Adolf Hasse, Thibault Noally, Les Accents | A Major | 2 | 11B | 83 BPM | ||
| Cantata No. 182, BWV 182 "Himmelskönig, sei willkommen": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | F♯ Major | 0 | 2B | 107 BPM | ||
| Musique de table, Pt. I, Concerto for Flute, Violin, and Cello in A Major, TWV 53:A2: IV. Allegro | Georg Philipp Telemann, Orchestra of the Golden Age | A♭ Major | 1 | 4B | 118 BPM | ||
| J.S. Bach: Goldberg Variations, BWV 988 (Arr. for Chamber Orchestra by Alexander Vittal): Aria | Johann Sebastian Bach, Baroque Chamber Orchestra of Colorado, Cynthia Miller Freivogel | D♭ Minor | 1 | 12A | 129 BPM | ||
| Telemann: Tafelmusik, Pt. 1, Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: III. Gratioso | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Georg Faust, Rainer Kussmaul | A Major | 0 | 11B | 114 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Concerto in D Minor, Op. 6 No. 3: II. Allegro spiritoso | Charles Avison, Café Zimmermann | G Major | 1 | 9B | 120 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 1. Allegro | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 108 BPM | ||
| Charpentier: Concert pour 4 parties de violes, H. 545: I. Prélude | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | B Major | 2 | 1B | 171 BPM | ||
| Sonate e partite: No. 31, Andante | Francesco Lecce, Vincenzo Bianco | A♭ Major | 2 | 4B | 104 BPM | ||
| Concerto Armonico No. 4 in G Major: Da capella non presto | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 3 | 2B | 108 BPM | ||
| Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Organ Concerto No. 5 in F, Op. 4 No. 5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
| Concerto in A Major, Op. 12 No. 1: II. Allegro | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 109 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Ballet | Nicolas Hotman, Lucile Boulanger | D♭ Minor | 1 | 12A | 60 BPM | ||
| Sonate pour le violon et le clavecin in A Minor: I. [...] | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | A♭ Minor | 1 | 1A | 113 BPM | ||
| Concerto Grosso No. 1 in C Minor, Op. 2: I. Andante | Francesco Geminiani, L'Archicembalo | B Minor | 1 | 10A | 39 BPM | ||
| Mystery Sonata No. 9 "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Minor | 1 | 1A | 110 BPM |