Kazuo Funaki's '落日のあとで' had a release date set for January 1, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 芸能生活50周年記念 舟木一夫プレミアムBOX 〜ありがとう そして明日へ〜, so we believe that "落日のあとで" is a single. Based on our statistics, 落日のあとで's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 落日のあとで by Kazuo Funaki is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 大阪すずめ | Miyuki Nagai | A♭ Minor | 5 | 1A | 93 BPM | ||
| 長崎慕情 | Yuko Nagisa | B Minor | 4 | 10A | 80 BPM | ||
| あいつ | 渡 哲也 | G Minor | 4 | 6A | 91 BPM | ||
| ぼくの胸でお泣き | 西郷輝彦 | C Major | 2 | 8B | 85 BPM | ||
| 男がかける夢の橋 | 渡 哲也, 坂芳子 | D Major | 3 | 10B | 103 BPM | ||
| 夫婦みち | Mitsuko Nakamura | C Minor | 3 | 5A | 176 BPM | ||
| おんなの朝 | 美川憲一 | G Major | 6 | 9B | 172 BPM | ||
| 豊後水道 | 川中美幸 | E Major | 7 | 12B | 139 BPM | ||
| 釜ケ崎人情 | Goro Kagami | E Major | 4 | 12B | 102 BPM | ||
| ふたりの急行列車 | Cherish | G Major | 2 | 9B | 182 BPM | ||
| 明日は咲こう花咲こう | Sayuri Yoshinaga, 三田明 | D Major | 4 | 10B | 118 BPM | ||
| アメリカ橋 | Yutaka Yamakawa | A Minor | 4 | 8A | 113 BPM | ||
| 京都慕情 | Ayumi Ishida | A Major | 4 | 11B | 97 BPM | ||
| ゴッド・ファーザー(愛のテーマ) | ペドロ&カプリシャス | F Minor | 4 | 4A | 89 BPM | ||
| せめて聞かせて | サザンクロス | C Minor | 4 | 5A | 96 BPM | ||
| ゲイシャ・ワルツ | 神楽坂はん子 | C Major | 2 | 8B | 130 BPM | ||
| 明日の詩 | Ryotaro Sugi | E Minor | 5 | 9A | 124 BPM | ||
| 白い蝶のサンバ | Yukari Itou | A♭ Major | 4 | 4B | 110 BPM | ||
| 霧の波止場 | 高倉健 | F Minor | 3 | 4A | 102 BPM | ||
| ひとり神戸 | Shinichiro Hakozaki | B♭ Minor | 4 | 3A | 89 BPM | ||
| 酒とふたりづれ | Kenji Niinuma | E Minor | 6 | 9A | 166 BPM | ||
| 太陽にヤァ! | Kazuo Funaki | E Minor | 4 | 9A | 178 BPM | ||
| くちなしの花 | Ryotaro Sugi | A Minor | 3 | 8A | 96 BPM | ||
| ふるさとは今もかわらず - シンフォニック Ver. | Kenji Niinuma, Suginami Junior Chorus | C Major | 3 | 8B | 106 BPM | ||
| 上を向いて歩こう - STEREO VERSION | Kyu Sakamoto | G Major | 5 | 9B | 145 BPM |