Michael Roberts's 'Plies #3' had a release date set for 1999. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Plies #3's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 35 in Between The Barres (Part 1) by Michael Roberts. Plies #3 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Plies #3 by Michael Roberts is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Facing the Barre | Miro Magloire, Wilhelm Burmann | C Minor | 1 | 5A | 209 BPM | ||
| Barre: Ronds de jambe | Nolwenn Collet | E♭ Major | 1 | 5B | 89 BPM | ||
| Music for Ballet Class, Series 2: Plies | Massimiliano Greco | F Major | 2 | 7B | 73 BPM | ||
| Barre: Tendus (Slow) | Nolwenn Collet | A Major | 0 | 11B | 116 BPM | ||
| Fast Tendus (with Repeat) | Miro Magloire, Wilhelm Burmann | B♭ Major | 2 | 6B | 78 BPM | ||
| Warm-Up Ex. 3/4: By Candlelight (From "Flame & the Flesh") | Margot Kazimirska | C Major | 3 | 8B | 98 BPM | ||
| Fondus Swan Lake Adagio | Sissonne Music | D Minor | 3 | 7A | 67 BPM | ||
| Adage 1 in B-Flat Major | Konstantin Mortensen | B♭ Major | 1 | 6B | 145 BPM | ||
| Degagés (Rhumba) | Caleb Fawcett | E♭ Major | 0 | 5B | 128 BPM | ||
| Barre: Jetés (Suite des fleurs) | Tadeusz Gieysztor | D Minor | 2 | 7A | 110 BPM | ||
| Romanza (Tendu, Demi Plie) | Josu M Gallastegui, Josu Gallastegui | B♭ Minor | 0 | 3A | 127 BPM | ||
| Rond En L’air | Emanuele Lucchisani | C Major | 2 | 8B | 170 BPM | ||
| Port de Bras (2 groups) | Caleb Fawcett | A♭ Major | 1 | 4B | 106 BPM | ||
| Rond De Jambe Par Terre 3/4 64 Counts | Marina Stolyar | A Major | 1 | 11B | 129 BPM | ||
| Tendu | Robin Rhodin | G Minor | 2 | 6A | 101 BPM | ||
| Warm up 1 (3/4) | Marina Surgan | C Major | 1 | 8B | 99 BPM | ||
| Rond de Jambe a Terre (Musetta's Waltz from la Boheme) | Steven Mitchell | F Major | 2 | 7B | 128 BPM | ||
| Rigoletto, Act III: La Donna É Mobile (Battement Tendu) | Giuseppe Fortunino Verdi, Charles Mathews | G Major | 1 | 9B | 119 BPM | ||
| Plie 3/4 64 Counts | Marina Stolyar | A Major | 0 | 11B | 116 BPM | ||
| Ronds de jambes au sol | Xavier-Edouard Horemans | E♭ Major | 1 | 5B | 89 BPM | ||
| Plié 1 | Søren Bebe | B Major | 1 | 1B | 97 BPM | ||
| Adage 4/4: Dos Oruguitas | Daniel Fifield | C Major | 0 | 8B | 121 BPM | ||
| Plie 1 3x4 | Jorge L. Martínez | D Major | 2 | 10B | 101 BPM | ||
| Warm Up | Mario Richter | D Major | 0 | 10B | 127 BPM | ||
| Plies Giselle | Debbi Parks | E Major | 1 | 12B | 107 BPM |