George Coleman, Sam Jones, Billy Higgins, Hilton Ruiz's ' "Amsterdam After Dark" was released on its scheduled release date, 1989. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 6 in Amsterdam After Dark by George Coleman. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Amsterdam After Dark's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Amsterdam After Dark by George Coleman, Sam Jones, Billy Higgins, Hilton Ruiz is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tempo's Birthday | Lionel Hampton | C Major | 1 | 8B | 134 BPM | ||
| Blues for B.B. (feat. Peter Bernstein) | George Coleman, Peter Bernstein | B♭ Major | 4 | 6B | 100 BPM | ||
| Blue Skies | Bill Charlap Trio | D♭ Major | 2 | 3B | 95 BPM | ||
| Lullaby Of Birdland | Jaki Byard | A♭ Major | 1 | 4B | 79 BPM | ||
| Filthy McNasty | Horace Silver Quintet | F Minor | 7 | 4A | 96 BPM | ||
| Triste | Emmet Cohen, Bryan Carter, George Coleman, Russell Hall | C Minor | 3 | 5A | 157 BPM | ||
| Evidence | Steve Lacy, Don Cherry | A♭ Major | 3 | 4B | 109 BPM | ||
| Mode for Joe | Eastern Rebellion | A♭ Major | 5 | 4B | 114 BPM | ||
| Up In Cynthia's Room - Remastered | Horace Parlan Quintet | A♭ Major | 4 | 4B | 129 BPM | ||
| Prelude to a Kiss | George Coleman | A Minor | 3 | 8A | 134 BPM | ||
| G.W. | Eric Dolphy Quintet | A♭ Major | 7 | 4B | 106 BPM | ||
| Since I Fell For You - Remastered | Stanley Turrentine & The Three Sounds | G Minor | 1 | 6A | 148 BPM | ||
| Groovesville | Dizzy Reece | F Minor | 5 | 4A | 97 BPM | ||
| I Cover The Waterfront | Paul Gonsalves | G Minor | 0 | 6A | 75 BPM | ||
| Blues-Blues-Blues - Digital Remaster/2007 | Freddie Redd | D Minor | 4 | 7A | 63 BPM | ||
| The Mystery Song | Steve Lacy, Don Cherry | F Minor | 2 | 4A | 172 BPM | ||
| Alone Too Long | Sonny Red | F Major | 2 | 7B | 102 BPM | ||
| There Is No Greater Love | Kenny Barron Trio | D Minor | 2 | 7A | 106 BPM | ||
| Passport | Barry Harris Trio | G Minor | 4 | 6A | 88 BPM | ||
| Why Wait | Stanley Clarke | B♭ Major | 3 | 6B | 139 BPM | ||
| Frank's Tune | Mario Rivera, George Coleman, Hilton Ruiz, Ed Cherry, Walter Booker, Ignacio Berroa, Jose Alexis Diaz, Ray Diaz, Daniel Guillermo | B♭ Minor | 4 | 3A | 137 BPM | ||
| Once Forgotten | Roy Hargrove Quintet | B♭ Major | 2 | 6B | 129 BPM | ||
| The Cost Of Living | Michael Brecker | C Minor | 1 | 5A | 82 BPM | ||
| De Bug | Freddie Roach | F Major | 5 | 7B | 175 BPM | ||
| Stella By Starlight | Kenny Drew Trio | D Major | 4 | 10B | 137 BPM |