Tchaikovsky: Suite from Swan Lake, Op. 20a: I. Scene. Moderato by Pyotr Ilyich Tchaikovsky, Alexander Lazarev, The Bolshoi Symphony Orchestra Song Details

"Tchaikovsky: Suite from Swan Lake, Op. 20a: I. Scene. Moderato" by Pyotr Ilyich Tchaikovsky, Alexander Lazarev, The Bolshoi Symphony Orchestra had its release date on January 1, 1993. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Tchaikovsky: Suite from Swan Lake, Op. 20a: I. Scene. Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Tchaikovsky: Suites from Swan Lake, Op. 20a & The Sleeping Beauty, Op. 66a". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Tchaikovsky: Suite from Swan Lake, Op. 20a: I. Scene. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Tchaikovsky: Suite from Swan Lake, Op. 20a: I. Scene. Moderato by Pyotr Ilyich Tchaikovsky, Alexander Lazarev, The Bolshoi Symphony Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 16%
Loudness: -17.529 dB
Acousticness: 96%
Danceability: 15%
Energy: 26%
Instrumentalness: 69%
Liveness: 18%
Loudness: 71%
Speechiness: 4%
Valence: 5%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite No. 3 in D, BWV 1068: 2. Air	Johann Sebastian Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Peter Schreier	B Minor	5	10A	127 BPM
Mozart: Piano Sonata No. 11 in A Major, K. 331/300i, "Alla Turca": III. Alla Turca (Arr. Pourcel)	Wolfgang Amadeus Mozart, Franck Pourcel, Franck Pourcel Orchestra	A Major	2	11B	126 BPM
Rossini: The Thieving Magpie: Overture	Gioachino Rossini, Herbert von Karajan, Philharmonia Orchestra	E Major	3	12B	177 BPM
Swan Lake, Op. 20a, Swan Lake, Op. 20, Act II By a Lake: No. 10, Scene. Moderato	Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard	E Minor	2	9A	90 BPM
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood	Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland	B♭ Major	0	6B	68 BPM
Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene	Sergei Prokofiev, Esa-Pekka Salonen	C Major	0	8B	80 BPM
Valses - Remasterizado	Luis Cobos, Alexander Borodin, Pyotr Ilyich Tchaikovsky, Moscow RTV Symphony Orchestra	D Major	1	10B	176 BPM
The Tales of Hoffmann: Barcarolle	Jacques Offenbach, Harry Rabinowitz	F Minor	1	4A	116 BPM
Toccata and Fugue in D minor, BWV 565 (Arr. Stokowski) - Live	Johann Sebastian Bach, Czech Philharmonic Orchestra, Leopold Stokowski	C Minor	1	5A	184 BPM
Satie: 6 Gnossiennes: No. 1, Lent	Erik Satie, Anne Queffélec	F Minor	0	4A	70 BPM
Spartacus: Variation of Aegina and Bacchanalia	Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits	D♭ Major	3	3B	132 BPM
La source, ou Naila: Suite No. 2: Suite No. 2: Pas de la Guzla	Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia	A Minor	0	8A	128 BPM
Strauss, Johann II: An der schönen blauen Donau, Op. 314	Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky	D Major	1	10B	104 BPM
IV. In the Hall of the Mountain King	Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud	G Major	1	9B	90 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	C Major	1	8B	96 BPM
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam (Conclusion)	Gustav Mahler, Sir John Barbirolli, John Barbirolli, New Philharmonia Orchestra	A Minor	1	8A	77 BPM
Vienna Sweets Waltz, Op. 307	Orchestra of the Viennese Volksoper & Alfred Scholz	F Major	0	7B	182 BPM
When My Mother Taught Me to Sing (From Gypsy Melodies, Op. 55)	Dvorak, Grand Philharmonia Orchestra	D Major	0	10B	81 BPM
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz	New Philharmonia Orchestra London, Lawrence Siegel	B♭ Major	1	6B	108 BPM
Humoresque No. 7 in G-flat Major, Op. 101	Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman	F♯ Major	1	2B	83 BPM
Rusalka, Op. 114: Song to the Moon (Arranged for Violin & Orchestra by Joshua Bell)	Antonín Dvořák, Joshua Bell, Michael Stern, Orchestra of St. Luke's	F♯ Major	1	2B	137 BPM
"Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth)	The Royal Festival Orchestra, William Bowles, Sarah Ainsworth	A Minor	1	8A	121 BPM
Valse En La Bemol Maj Op69 N1	Samson François	A♭ Major	0	4B	141 BPM
Carmen Fantasy, Op. 25: Introduction. Allegro moderato	Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta	D Minor	1	7A	108 BPM
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major	Edward Elgar, New Zealand Symphony Orchestra, James Judd	D Major	3	10B	127 BPM