"No Strings Attached" by Danny Elfman had its release date on February 17, 2017. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 21 in Fifty Shades Darker (Original Motion Picture Score) by Danny Elfman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, No Strings Attached is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of No Strings Attached by Danny Elfman is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Path of Paternal Secrets | Junkie XL | F Minor | 3 | 4A | 145 BPM | ||
| Opening Music | Nicholas Britell | G Major | 2 | 9B | 87 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| The Whole World is Crazy | Justin Timberlake | D Major | 2 | 10B | 176 BPM | ||
| Had Enough | Anne Nikitin, Jessica Jones, Tim Morrish | A Minor | 1 | 8A | 87 BPM | ||
| Coming to See You | Andrew Lockington | G Minor | 2 | 6A | 140 BPM | ||
| Prelude No. 4 in E Minor | Daniel Eles | A Minor | 0 | 8A | 82 BPM | ||
| The Worst of the Worst | Steven Price | D Minor | 5 | 7A | 149 BPM | ||
| Check Your Messages | Jeff Beal | F Major | 3 | 7B | 91 BPM | ||
| Maria's Sacrifice | Christian Henson | G Major | 3 | 9B | 80 BPM | ||
| Outsides Match My Insides | Gabriel Yared | A♭ Major | 0 | 4B | 71 BPM | ||
| Who Was She? | Nico Muhly | G Minor | 1 | 6A | 95 BPM | ||
| Midnight Special Theme | David Wingo | C Major | 1 | 8B | 100 BPM | ||
| Partners For Life | Jeff Beal | E Major | 3 | 12B | 171 BPM | ||
| Blizzard (PON I) | Kai Engel | D♭ Major | 3 | 3B | 105 BPM | ||
| Rose Garden | Adrian Johnston | E Major | 0 | 12B | 83 BPM | ||
| Leave the Past Behind | Bear McCreary | D Minor | 1 | 7A | 76 BPM | ||
| Rebuilding / Cuffed / Goodbye Old Friend | John Ottman | G Minor | 0 | 6A | 79 BPM | ||
| Danger Girl | Danny Elfman | D Minor | 2 | 7A | 118 BPM | ||
| Ferris Wheel | Junkie XL | G Minor | 4 | 6A | 161 BPM | ||
| The Uninvited | Christopher Young | G Minor | 1 | 6A | 114 BPM | ||
| Soul Inside | Antonio Pinto | D♭ Minor | 3 | 12A | 88 BPM | ||
| Etiquette Lessons | Geoff Zanelli | D Minor | 0 | 7A | 81 BPM | ||
| Distant Lives (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E♭ Major | 0 | 5B | 55 BPM | ||
| Everything's Going To Be Okay | Chris Bacon | D♭ Minor | 2 | 12A | 134 BPM |