Clarissa Connelly's 'Why it's Over' had a release date set for April 2, 2018. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 7 in the song's album "Tech Duinn". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Denmark. In terms of popularity, Why it's Over is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Why it's Over by Clarissa Connelly having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She Moved Through the Fayre | Bridget Hayden and The Apparitions, Bridget Hayden | D Major | 1 | 10B | 168 BPM | ||
| Life of the Forbidden | Clarissa Connelly | D♭ Major | 3 | 3B | 104 BPM | ||
| Can't Touch | Fergus Jones, Perko, Laila Sakini | E♭ Minor | 4 | 2A | 143 BPM | ||
| Women's Role in War | Anastasia Coope | A Major | 0 | 11B | 117 BPM | ||
| setar rock | Maral | D Major | 3 | 10B | 120 BPM | ||
| Vija | merope, Indrė Jurgelevičiūtė, Bert Cools | G Major | 3 | 9B | 77 BPM | ||
| Runge | OTOOTO, Sofie Birch | G Major | 3 | 9B | 125 BPM | ||
| What Is Not Strange? | Tashi Wada, Julia Holter | A Minor | 1 | 8A | 113 BPM | ||
| part 3 | 20_14 Assembly, Rune Kielsgaard, Mija Milovic, Cæcilie Trier, Clarissa Connelly, Henriette Motzfeldt | E Minor | 1 | 9A | 73 BPM | ||
| I'm A Girl You Can Hold IRL | ML Buch | D Major | 1 | 10B | 109 BPM | ||
| Solid | ML Buch | B♭ Major | 2 | 6B | 91 BPM | ||
| Walden | Clarissa Connelly | E Minor | 1 | 9A | 69 BPM | ||
| Call Me Back | Martha Skye Murphy | E Minor | 4 | 9A | 67 BPM | ||
| Sicilia | Nídia & Valentina | A♭ Major | 7 | 4B | 90 BPM | ||
| II. STAR (Survival) | Ana Roxanne, Nsámbu Za Suékama | E Minor | 5 | 9A | 115 BPM | ||
| Staying here | Astrid Sonne | G Major | 1 | 9B | 90 BPM | ||
| Little Star | Michel Banabila | F♯ Minor | 7 | 11A | 125 BPM | ||
| Do you wanna | Astrid Sonne | G Major | 1 | 9B | 90 BPM | ||
| Flowers That Talk | Beings, Zoh Amba, Steve Gunn, Shahzad Ismaily, Jim White | D Minor | 4 | 7A | 162 BPM | ||
| U Care | Niecy Blues | A Major | 4 | 11B | 105 BPM | ||
| Out of Strength comes Sweetness | Drew McDowall | C Major | 3 | 8B | 172 BPM | ||
| Waillee, Waillee | Dorothy Carter | B♭ Minor | 8 | 3A | 103 BPM | ||
| 6 Phrazes | Tirzah | F♯ Major | 6 | 2B | 83 BPM | ||
| Wrong One | Milan W. | G Major | 3 | 9B | 131 BPM | ||
| Running Back To Me | Broadcast | A Minor | 6 | 8A | 146 BPM |