Schumann: Symphony No. 2 in C Major, Op. 61: II. Scherzo (Allegro vivace) by Robert Schumann, San Francisco Symphony, Michael Tilson Thomas Song Details

Robert Schumann, San Francisco Symphony, Michael Tilson Thomas's 'Schumann: Symphony No. 2 in C Major, Op. 61: II. Scherzo (Allegro vivace)' had a release date set for November 10, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Schumann: Symphonies Nos. 1-4". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Schumann: Symphony No. 2 in C Major, Op. 61: II. Scherzo (Allegro vivace)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Schumann: Symphony No. 2 in C Major, Op. 61: II. Scherzo (Allegro vivace) by Robert Schumann, San Francisco Symphony, Michael Tilson Thomas having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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Popularity: 13%
Loudness: -20.232 dB
Acousticness: 95%
Danceability: 35%
Energy: 22%
Instrumentalness: 92%
Liveness: 15%
Loudness: 66%
Speechiness: 4%
Valence: 31%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro	Wolfgang Amadeus Mozart, Berliner Philharmoniker, Sir Simon Rattle	E♭ Major	3	5B	138 BPM
Symphony in C Major, WD 33: I. Allegro vivo	Georges Bizet, Leonard Bernstein, New York Philharmonic	G Major	2	9B	85 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	G Major	3	9B	97 BPM
Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: IV. Allegro animato e grazioso	Robert Schumann, San Francisco Symphony, Michael Tilson Thomas	B♭ Major	2	6B	106 BPM
Must the Devil Have All the Good Tunes?: III. Piú mosso: Obsession / Swing	John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel	C Minor	5	5A	125 BPM
Valse triste, Op. 44	Jean Sibelius, San Francisco Symphony, Herbert Blomstedt	D Major	0	10B	78 BPM
Candide: Overture	Leonard Bernstein, Gustavo Dudamel, Wiener Philharmoniker	E♭ Major	3	5B	141 BPM
Symphonie Espagnole In D Minor, Op.21: 4. Andante	Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	D Major	1	10B	91 BPM
Violin Concerto No. 1, Sz. 36: I. Andante sostenuto	Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio Pappano	G Major	0	9B	89 BPM
Symphony No. 5 in D Minor, Op. 47: II. Allegretto	Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra	C Major	1	8B	138 BPM
Symphony No.3 in F, Op.90: 2. Andante	Johannes Brahms, Gewandhausorchester, Riccardo Chailly	C Major	0	8B	72 BPM
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace	Frédéric Chopin, Martha Argerich, London Symphony Orchestra, Claudio Abbado	E Major	2	12B	123 BPM
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegretto - Allegro vivace	Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein	C Minor	3	5A	139 BPM
Symphony No. 4 in D Minor: III. Juba Dance	Florence Beatrice Price, Fort Smith Symphony, John Jeter	B♭ Major	0	6B	69 BPM
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo (Allegro vivace)	Ludwig van Beethoven, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel	E♭ Major	2	5B	92 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Presto	Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra	F Minor	2	4A	125 BPM
Symphony No. 4 in C Minor, Op. 43: IV. Largo - Live	Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons	D♭ Major	0	3B	99 BPM
The Firebird, KC 10: IX. Second tableau - Disparition du palais et des sortilèges de Kachtcheï, animation des chevaliers pétrifiés	Igor Stravinsky, London Symphony Orchestra, Valery Gergiev	B Major	3	1B	90 BPM
Má Vlast, JB1:112: III. Sarka	Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelík	E Minor	3	9A	104 BPM
Concerto for Viola and Orchestra: I. Andante comodo	William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes	A Minor	1	8A	103 BPM
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend	Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker	F♯ Major	0	2B	144 BPM
Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo (Lebhaft)	Robert Schumann, San Francisco Symphony, Michael Tilson Thomas	F Major	1	7B	81 BPM
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light	Felix Mendelssohn, Kathleen Battle, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver	E Major	1	12B	145 BPM
Mahler: Symphony No. 2 in C Minor, "Resurrection": II. Andante moderato	Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas	A♭ Major	0	4B	131 BPM
Harold en Italie, Op. 16, H 68: III. Sérénade d'un Montagnard des Abruzzes à sa maîtresse	Hector Berlioz, London Symphony Orchestra, Tabea Zimmermann, Sir Colin Davis	C Major	2	8B	77 BPM