Scott Bradlee's Postmodern Jukebox, Morgan James's 'Take Me To Church' had a release date set for November 24, 2017. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "The Essentials (French Version)". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Take Me To Church's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Take Me To Church by Scott Bradlee's Postmodern Jukebox, Morgan James having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Like A Prayer | Scott Bradlee's Postmodern Jukebox | C Minor | 4 | 5A | 131 BPM | ||
| Act Right | Blue Harlem | C Minor | 6 | 5A | 111 BPM | ||
| Another Chance | Mario Grigorov, Glacéia Adele Henderson | D♭ Minor | 5 | 12A | 136 BPM | ||
| Every Little Movement | Mario Grigorov, Dwight Batteau | C Minor | 4 | 5A | 120 BPM | ||
| Phat Cat Swinger | Phat Cat Swinger | D Minor | 7 | 7A | 117 BPM | ||
| Leaving You | Jill Barber | E Minor | 4 | 9A | 105 BPM | ||
| Makin' Whoopee! | Rachael MacFarlane | F♯ Major | 4 | 2B | 83 BPM | ||
| Blank Space | Scott Bradlee's Postmodern Jukebox, Ariana Savalas | E♭ Major | 5 | 5B | 111 BPM | ||
| Un Bacio a Mezzanotte | Hetty and the Jazzato Band | C Major | 4 | 8B | 96 BPM | ||
| Nice'n'easy | Enric Peidro Swingtet, Jessie Gordon | F Minor | 2 | 4A | 121 BPM | ||
| I've Got Rhythm - Live in London | Flash Mob Jazz | B♭ Major | 6 | 6B | 116 BPM | ||
| Swings Like Teen Spirit | THE SCHWINGS BAND | D♭ Major | 2 | 3B | 100 BPM | ||
| Barflies at the Beach | Royal Crown Revue | B Minor | 9 | 10A | 121 BPM | ||
| Sway | Pink Martini, Storm Large | B♭ Minor | 5 | 3A | 104 BPM | ||
| Should I Stay or Should I Go | Sugarpie And The Candymen | D♭ Minor | 9 | 12A | 138 BPM | ||
| Hit The Road Jack | Casey Abrams, Haley Reinhart | E Minor | 6 | 9A | 78 BPM | ||
| Don't Stop Me Now | Scott Bradlee's Postmodern Jukebox, Melinda Doolittle | D Major | 5 | 10B | 136 BPM | ||
| Be My Man | Jill Barber | A Major | 2 | 11B | 76 BPM | ||
| Crazy Swing - Rejazzed | Deladap | F Minor | 7 | 4A | 106 BPM | ||
| Mr Music Man | Harry James Angus, Deni Hines | G Minor | 7 | 6A | 104 BPM | ||
| Sweet Dreams | Berk & The Virtual Band | A Minor | 6 | 8A | 82 BPM | ||
| La vie en rose | Zaz | G Major | 5 | 9B | 168 BPM | ||
| It Don't Mean a Thing (If It Ain't Got That Swing) / I Got Rhythm | Linda Lavin | G Major | 4 | 9B | 106 BPM | ||
| Charleston Boogie | Robert Edwards, Little Violet | C Major | 8 | 8B | 124 BPM | ||
| I Bet That You Look Good on the Dance Floor | The FlyBoys | B Minor | 6 | 10A | 110 BPM |