Greg Laswell's 'Come Clean' had a release date set for January 1, 2010. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Take A Bow". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Come Clean's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Come Clean by Greg Laswell having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fading Bright Eyes Dark | Scars On 45 | C Major | 2 | 8B | 133 BPM | ||
| How The Day Sounds | Greg Laswell | D Major | 7 | 10B | 120 BPM | ||
| Tender Mirror | Jolie Holland | D Major | 3 | 10B | 118 BPM | ||
| Taken | Young Summer | F♯ Major | 5 | 2B | 104 BPM | ||
| Old Haunts, New Cities | Typhoon | A Minor | 3 | 8A | 113 BPM | ||
| More Than I Can Take | Shelley Harland | E Minor | 3 | 9A | 117 BPM | ||
| Fortress | Dala | B Minor | 1 | 10A | 105 BPM | ||
| Compass | Zella Day | F Minor | 4 | 4A | 81 BPM | ||
| White Flag | Lemolo | B Minor | 3 | 10A | 103 BPM | ||
| Everywhere | Susie Suh | A♭ Major | 5 | 4B | 136 BPM | ||
| Breathe You Out | KANEHOLLER | A♭ Major | 6 | 4B | 140 BPM | ||
| Bare | WILDES | E♭ Minor | 4 | 2A | 130 BPM | ||
| Don't Shy From The Light | Neulore | G Major | 3 | 9B | 134 BPM | ||
| Fight The End | The Playground | D♭ Minor | 4 | 12A | 148 BPM | ||
| Don't Go Walking Away | Robbie Miller | E♭ Major | 3 | 5B | 88 BPM | ||
| Find a Place | Iko | A Major | 2 | 11B | 119 BPM | ||
| Illusory Light | Sarah Blasko | A♭ Minor | 3 | 1A | 79 BPM | ||
| Rescue Me | Unions | E♭ Major | 2 | 5B | 131 BPM | ||
| I Go On | Jillian Edwards | D Minor | 3 | 7A | 134 BPM | ||
| Got It, Lost It | Big Scary | C Major | 2 | 8B | 123 BPM | ||
| For Everything a Reason | Carina Round | A♭ Major | 3 | 4B | 116 BPM | ||
| An Arrow | Sarah Blasko | D Minor | 5 | 7A | 126 BPM | ||
| How The Day Sounds | Greg Laswell | D Major | 8 | 10B | 120 BPM | ||
| Bottle | Texture Like Sun | B Minor | 6 | 10A | 78 BPM | ||
| Homage for the Suffering | Matthew Perryman Jones | C Major | 2 | 8B | 82 BPM |