Benedicte Torget's 'Come Away' had a release date set for August 25, 2008. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 12 in After a Day of Rain by Benedicte Torget. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Based on our statistics, Come Away's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Come Away by Benedicte Torget is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Mediterranean Passage In The Age Of Refugees | Daniel Herskedal, Eyolf Dale, Helge Andreas Norbakken | D Minor | 2 | 7A | 72 BPM | ||
| Bruno i Bianka PДRT III (feat. Leszek Możdżer) | Daniel Bloom, Leszek Możdżer | C Minor | 1 | 5A | 80 BPM | ||
| Icy Altitude | Nils Petter Molvær, The Norwegian Radio Orchestra | A♭ Minor | 1 | 1A | 68 BPM | ||
| Kingfish Castle | Nils Petter Molvær | B Minor | 3 | 10A | 81 BPM | ||
| .oOo. | Mette Henriette | F♯ Major | 0 | 2B | 64 BPM | ||
| Midnight Sway | Moonlight Slim | B♭ Minor | 1 | 3A | 74 BPM | ||
| Resting | Stefan Rusconi, Tobias Preisig | G Major | 3 | 9B | 111 BPM | ||
| Mad Lovers | Veslemøy Narvesen | C Minor | 1 | 5A | 147 BPM | ||
| 2AM in Serralles | Sol Noir | C Major | 0 | 8B | 64 BPM | ||
| Bird in a Burning World | Denise Glover, Jim Sande | D♭ Minor | 0 | 12A | 168 BPM | ||
| Forgive and Forget | Veslemøy Narvesen | C Minor | 1 | 5A | 147 BPM | ||
| Gjendines bådnlåt | Rebekka Bakken | B Minor | 2 | 10A | 141 BPM | ||
| Supernova | Lisen Rylander Löve, Martin Öhman, Donovan von Martens | A Major | 3 | 11B | 122 BPM | ||
| Aignish | Charlie Grey and Joseph Peach | A Minor | 2 | 8A | 133 BPM | ||
| Renewal | Jorisu Kanzaki | C Minor | 1 | 5A | 147 BPM | ||
| The Sage | Avishai Darash, Shayan Fathi, Antonio Moreno Glazkov, Ivan Ruiz Machado | C Major | 1 | 8B | 126 BPM | ||
| Here is Our Cathedral | Benedicte Torget | B♭ Major | 1 | 6B | 148 BPM | ||
| Skiftevisen | Antonio Dayyani | F Major | 2 | 7B | 149 BPM | ||
| Hora Azul | Julia Hülsmann Octet | C Minor | 1 | 5A | 147 BPM | ||
| Naujas Skyrius | Rahel Talts, Rob Luft | D Minor | 4 | 7A | 136 BPM | ||
| Final Log | Gabríel Ólafs, Hera Hilmar | E♭ Major | 0 | 5B | 100 BPM | ||
| All the Pretty Horses | Madeleine & Salomon | F♯ Minor | 0 | 11A | 126 BPM | ||
| Dukke Lone | Stine Hjelm | G Minor | 1 | 6A | 95 BPM | ||
| O Virtus Sapientiae | Hildegard von Bingen, Marion Frère, Mar' et Balt', Balthazar Naturel | A Minor | 0 | 8A | 75 BPM | ||
| Memory | Paloma Dineli Chesky | A♭ Major | 2 | 4B | 126 BPM |