Kitty Flanagan's 'You're a Cock' had a release date set for April 2, 2014. This song is quite longer than the average track at 4 minutes and 40 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The track order of this song in Kitty Flanagan's "Hello Kitty Flanagan" album is number 18 out of 18. On top of that, Turks and Caicos Islands appears to be the country where this track was created. You're a Cock is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of You're a Cock by Kitty Flanagan to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Telford | Tom Rhodes | F♯ Major | 6 | 2B | 75 BPM | ||
| Coffee | Aaron Chen | D Major | 4 | 10B | 62 BPM | ||
| Love All Your Kids Equally | Kevin James | E Major | 8 | 12B | 77 BPM | ||
| Rock Bottom | Joe Bartnick | B♭ Major | 6 | 6B | 137 BPM | ||
| Oscar | Urzila Carlson | F Major | 4 | 7B | 100 BPM | ||
| Porn Backstory | Gabriel Rutledge | E Major | 10 | 12B | 90 BPM | ||
| Founding Fathers | Colin Quinn | B Major | 6 | 1B | 66 BPM | ||
| Learning to Drive - Live | Jack Dee | D Major | 5 | 10B | 118 BPM | ||
| The Bar (Article 2) | Colin Quinn | D♭ Major | 4 | 3B | 87 BPM | ||
| Talking About Sex | Kitty Flanagan | A♭ Major | 10 | 4B | 85 BPM | ||
| London | Milton Jones | E Major | 5 | 12B | 136 BPM | ||
| Butt Massage | Fortune Feimster | F Minor | 6 | 4A | 80 BPM | ||
| Encore Disturbances | Paul Foot | A Major | 6 | 11B | 115 BPM | ||
| The First Date | Sebastian Maniscalco | F Minor | 4 | 4A | 85 BPM | ||
| No Designs on Kids | Shane Torres | D Major | 3 | 10B | 78 BPM | ||
| Strict Mom | Preacher Lawson | E Major | 7 | 12B | 135 BPM | ||
| Micro Penises & Duotangs | Robby Hoffman | D♭ Major | 5 | 3B | 139 BPM | ||
| Future Look Back | Arj Barker | E Major | 6 | 12B | 85 BPM | ||
| Irish Family Tree | Dave Nihil | A♭ Major | 10 | 4B | 85 BPM | ||
| Women Love Cards | Kevin James | A Major | 8 | 11B | 84 BPM | ||
| The Wife | Roy Chubby Brown | D♭ Minor | 7 | 12A | 90 BPM | ||
| I'm Not Recording This | Craig Ferguson | D Major | 8 | 10B | 79 BPM | ||
| Getting Pulled Over | National Lampoon, Bert Kreischer | A♭ Major | 3 | 4B | 138 BPM | ||
| The Mysterious Painting | Paul F. Tompkins | A Major | 3 | 11B | 115 BPM | ||
| Sloths and Sea Turtles | Dan Cummins | F♯ Minor | 5 | 11A | 74 BPM |